Word: samantha
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Dates: during 1990-1999
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...Samantha A. Goldstein '00 went to Chiapas, Mexico last year to do field research for her thesis...
...Fowler Jason L. Freidenfelds Brian R. Friedman Virginia S. Fuller David J. Fusco Raefer C. Gabriel Julio V. Gambuto Lauren R. Garsten John W. Geary Kata Gellen Michael T. Giampaolo Peter A. Gilchrist Ghia E. Godfree Jonathan I. Goldberg Jonathan E. Goldin Jesse F. Goldman Jacob P. Goldstein Samantha A. Goldstein Yael T. Goldstein Paul Goldschmidt Talia R. Gonzalez Siddhartha N. Gowda McComma Grayson Brendan K. Greaves Joseph Green Stephanie B. Greenman Emily F. Gregory Michael K. Grobis Elizabeth S. Grossman Nicholas R.H. Grossman Melissa K. Gruber Jonathan Gruenhut Michael Grunwald Jeffrey R. Gu Lindsey E. Gulden Paul S. Gutman...
...spirited and rebellious and thoroughly blunt. She has fun with a part that lets her talk at length about the various penises she has encountered and that requires her to say "I've tasted my menstrual blood!" on more than one occasion. Rita plays well off of her friend Samantha Stewart (Annalise Nelson '02), who wants nothing more than to be the woman behind the man she marries. Though she is characterized as the perfect wife, Samantha happily plays along with Rita--acting like a man and choosing which of her girlfriends she would marry...
...real jewel of the film is Samantha Morton as Hattie, a mute laundress who tries to tries to take up Emmet as a lover. Looking like she just stepped out of a silent film, Morton gives a performance that, without a single line of actual dialogue, matches Penns in intensity and sheer entertainment value. Her expressive eyes and Groucho Marx facial expressions make her the perfect foil for Emmets self-absorbed rambling. Its so clear that the two are right for each other that when Emmet totally fails to realize the value of Hatties unconditional love, we realize just...
Penn does bold justice to this lowdown giant. But Samantha Morton, as Emmet's "mute orphan half-wit" of a girlfriend, is the sweet revelation. Rarely has a performer mined such complex and potent emotion from such simple materials: a smile, a shrug, an attentive winsomeness. She hardly nods or shakes her head in response to a question, yet always conveys the meaning and feeling. In an age of actors' tics and rantings, such austere clarity is worth cherishing. The interpretive magic that Emmet Ray achieves with six strings, Morton conjures with none...