Word: sambaing
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...Vinicius de Moraes wrote in 1962. From my seat on the bus, I can't actually see the sign for the bar, but I recognize the outside from pictures. It turns out there actually was a "girl from Ipanema," Heloisa Eneida Pinto, and she used to stroll "like a samba" past the bar every so often on her way to Ipanema Beach, and her "tall and tan/and young and lovely" looks inspired Jobim and Moraes. Now, with Rock in Rio in town, the guys from Papa Roach could be at the Garota de Ipanema right now, getting inspired to write...
...first song, "Judy Don't You Worry," starts off with Cracknell's lilting vocals washed over a simple background of a solo piano. It moves on quickly to Euro-sounding dance tracks such as "How Far" and the samba-tinged "Taking Off For France." The album does take a recess from beat-heavy percussion and veers towards further flirtation with retro-lounge electronic tunes, with Cracknell voicing her lyrics breathily in a manner not unlike Dusty Springfield. But the closing track, "Anymore," ends the album with more bleeps and heavy backbeats. While it's the strongest track in the album...
...samba samba samba...
Competition consists of ten types of dance in two categories. The first is Standard, which includes the waltz, tango, Viennese waltz, foxtrot and quickstep. The second kind, which NBC has given most of its recent ballroom airtime to, is Latin. Among the Latin dances are the cha-cha, rumba, samba, paso doble, and jive...
...album's first disc features the Fatboy Slim mix. True to the big beat sound, the disc kicks off with Walter Wanderley's organ tune "Summer Samba." Laid over that kitschy melody is the weirdest breakbeat you'll ever hear, something like a mixture of a saw and a mattress spring. Fatboy Slim's mix features remixes of songs by famous artists like the Chemical Brothers ("The Private Psychedelic Reel"), Underworld ("Born Slippy") and Art of Noise ("Metaforce"), but to buy the album just for these would be a terrible mistake. To appreciate the mix, you really need to hear...