Word: samenesses
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Dates: during 1960-1969
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Marker is especially careful not to integrate Koumiko and the city whenever the two come in direct contact. Koumiko is isolated when she is walking, behind a train window when she looks at the countryside, or present on the soundtrack but absent from the screen. In one sequence, we see...
This is a key to the whole film. While apparently feeling constrained to show tradition and the recent westernization in close proximity, Marker carefully avoids cutting which would imply an ironic intent. No attempt is made to explain the westernization of Japan, nor is the modern seen as un-Japanese...
I had spent a month with the Resistance after the Humphrey demonstration in September planning the same kind of reception for Nixon. We were going to have loudspeakers and a ladder and we were going to toss it up as Nixon began to speak and ask him about the war...
The desk was the only part of the office that was still in the same position. Walrus had his feet propped up on it. There was one partition remaining behind him. On it, pages were scotch-taped from movement newspapers that looked like posters. One was red with white letters...
All I knew about the demonstration was the sign spray-painted on the entrance to the Cambridge Common that says "Presidio 7-March 24." Last Fall, the Resistance had called for a draft card turn-in on November 14. We had spent many early morning hours hiding from police cars...