Word: sams
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Dates: during 1990-1999
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...story of another assassin in a similar way. The assassins' stories are fictitiously intertwined: Charles Guiteau, who eventually assassinated James Garfield; Leon Czolgosz, who killed William McKinley; Guiseppe Zangara, who attempted to assassinate Franklin D. Roosevelt; would-be Gerald Ford assassins Lynette "Squeaky" Fromme and Sara Jane Moore; Sam Byck, who plotted to kill Nixon; and John Hinckley, who shot Ronald Reagan. The time gap separating each of the assassinations (or attempted assassinations) is given no heed: placing these disparate events side by side allows them to interact in a kind of fantastic sphere that brilliantly emphasizes the assassin mindset...
...Young's associates came forward last week to clarify how the loan guarantee evolved. An overture for the guarantee came in mid-1994 at a dinner with Barbour as host for Young at Sam & Harry's, a Washington haunt popular with politicians. Barbour said the G.O.P. think tank would use the loan to pay back its start-up money to the R.N.C., which was then gearing up for the midterm election. Indeed, the think tank transferred $1.6 million to the R.N.C. three weeks before the triumphant G.O.P. takeover of Congress. Young received a taste of the victory in a meeting...
Says David Picker, former head of United Artists and a friend of Halmi's: "He's a throwback to the kind of creative producer--Sam Spiegel, David O. Selznick--the cultured, romantic, passionate kind, who won't let go of an idea until it happens." And who wants things the way he wants things. When Assante tried to back out of The Odyssey at one point during the production because he was unhappy about the script, Halmi slapped him with a lawsuit for the entire budget of the film. Assante came back, and Halmi conceded to a reworking...
Motorists raise a middle finger as they pass Koskovich's home on High Street (where Sam Donaldson's limo was parked last week and where a sign reads IF YOU ARE A NEWS REPORTER PLEASE GO AWAY, THANK YOU). There Bertha Lippincott cracked open the door, as the plastic sheeting over the front window rattled in the wind. Sobbing, she protested her grandson's innocence: "There were four other names given that were involved...
...transforms the show is Coleman's vital, jazzy score--his best since Sweet Charity--and Michael Blakemore's crisp, less-is-more staging. The show starts out in high gear with an infectiously cynical ode to self-interest (Use What You Got), sung by hustler-narrator Jojo (the excellent Sam Harris), and keeps topping itself. Lillias White, as an over-the-hill hooker, brings vivacity and soul to Gasman's clever lyrics ("I'm getting too old/ For the oldest profession"), and the driving, up-tempo number Why Don't They Leave Us Alone turns the hookers and pimps into...