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Athletes have traditionally been heroes in the human imagination. Men still dream of themselves as Samson, tearing down the temple around the mocking ears, or as Lancelot, cutting down all challengers and incidentally winning the lady. But the commercialization of athletics and pervasive publicity have altered the image of the "parfit knight...

Author: /time Magazine | Title: Essay: ON THE DIFFICULTY OF BEING A CONTEMPORARY HERO | 6/24/1966 | See Source »

...naturalistic interest in detail often becomes an emphasis upon the particular as opposed to the general. In Durer's Samson Conquering the Philistines, as in many Gothic inspired drawings, the strong emotionalism, the decorative detail, and the interlacing forms combine with some conscious symbolism to transform the highly realistic detail into a mystical iconography...

Author: By Jonathan D. Fineberg, | Title: Albretcht Durer in Boston | 4/14/1966 | See Source »

Parents tend to deplore the progression toward long hair. Says David Mauldin, the 15-year-old son of Cartoonist Bill Mauldin: "My father thinks it makes me look like a faggot." In their own defense, students point out that long hair has been a sign of virility ever since Samson, claim that they often grow mop tops because their girl friends want them...

Author: /time Magazine | Title: Fads: The Short & the Long of It | 10/1/1965 | See Source »

...world's largest manufacturer of luggage is named after the Bible's powerful Samson. Its president has a name to match: King David. The firm's official corporate philosophy is the Bible's Golden Rule: "Do unto others as you would have them do unto you."* All company officers and salesmen carry a marble encircled by a gold band on which the Golden Rule is printed, take it out for inspiration when they have a business decision to make...

Author: /time Magazine | Title: Corporations: In the Bag | 6/25/1965 | See Source »

Peter Brooks, as Wake, gives an admirable performance as the perplexed, Peter Sellersish student, although he appears to tire near the end of along, arduous part. Andrew Cohen, as Jean, is a little too robust for a senile poilu, but effective nevertheless. James Pike's underplaying as Samson contrasts nicely with the extravagant gestures and postures of Elizabeth...

Author: By Lee H. Simowitz, | Title: The Chambers | 3/22/1965 | See Source »

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