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...learned that the Cairo talks had reached an impasse. While the first of 2,500 French paratroopers and airmen disembarked in Cyprus, Sir Anthony Eden met with his Cabinet in London, summoned Parliament to a special sitting. Nasser told a visitor that the situation made him feel like Samson about to pull down the pillars. On Friday, the Moslem day of rest, he went off to sun with his family on a beach. That evening a Menzies press officer told newsmen that "the talks have come to a complete end," that the committee was going home without further palaver...

Author: /time Magazine | Title: SUEZ: Deadlock in Cairo | 9/17/1956 | See Source »

...spoke stalwart Victor Mature, whose musculature has beefed up three of Hollywood's Bible epics (Samson and Delilah, The Robe, Demetrius and the Gladiators). "By pretending to know 'inside hot stuff' on the private lives of some stars, this man Shuler shows himself completely devoid of charity. It's a pretty un-Christian thing...

Author: /time Magazine | Title: Religion: Movie Morality | 6/11/1956 | See Source »

Hilda Crane (20th Century-Fox) was originally a series of short stories about an aging and raddled Manhattan career girl who tries to settle down to the straight and narrow in her old home town. In 1950 Author Samson Raphaelson adapted his theme to a Broadway play, starring Jessica Tandy as the lady who finds an overdose of sleeping pills easier to take than smalltown living...

Author: /time Magazine | Title: Cinema: The New Pictures, may 21, 1956 | 5/21/1956 | See Source »

...Hoffmann, first produced in 1881, four months after Offenbach's death, was a smash. The French, who wisely distrust overly sweet wines, have always had a weakness for sweet opera, and much of Hoffmann fits into the sucre fashion of Gounod's Faust, Saint-Saens' Samson et Dalila, etc. When it tries to get serious, it often just turns watery. But the score, if well played, always bubbles with its own kind of wit and Gallic lyricism...

Author: /time Magazine | Title: Music: Hoffmann & Papa | 11/28/1955 | See Source »

...landscape like mothballs at a spring cleaning, while Errol proves, as always, a beryl in peril. He loses nothing but his mustache-but then, what is Errol Flynn without his mustache? As he comes up for the final clinch with the heroine (Joanne Dru), he looks as sapless as Samson on the morning after his lawn was mowed. Or maybe it is only that Errol, at 46, is getting a little old for this sort of thing. So is his public...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 3, 1955 | 10/3/1955 | See Source »

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