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...Samson and Delilah (Paramount) bedizens the Biblical story with all that $3,000,000 can buy: Hedy Lamarr, Victor Mature, 600 extras and eye-crashing Technicolor, mixed by the lavish, lily-gilding hand of Cecil B. DeMille. The result may not be quite Old Testament, but it is Bible story shrewdly blended with sex, spectacle, and the merest suggestion of social comment to keep it abreast of current Hollywood trends. It is unlikely to tarnish Producer-Director DeMille's reputation for consistently making (as well as spending) more money on pictures than anybody else...

Author: /time Magazine | Title: The New Pictures, Dec. 26, 1949 | 12/26/1949 | See Source »

...DeMille himself intoning a speech that begins: "Before the dawn of history, ever since the first man discovered his soul . . ." To meet the challenge of building from there, DeMille brings on a seven-day saturnalia in the fleshpots of Timnath; Delilah Lamarr slinking through ten changes of scanty costumes; Samson Mature strangling a lion with his bare hands, killing 1,000 Philistines with the jawbone of an ass, and pulling the temple down about the ears of the whole company...

Author: /time Magazine | Title: The New Pictures, Dec. 26, 1949 | 12/26/1949 | See Source »

...DeMille turned four writers loose on the job of working up a convincing script. They telescoped the Biblical account, invented some new sequences, tinkered with motivations, added characters, threw in some dancing girls. Major change: Delilah became the younger sister of the nameless Philistine woman who was the Biblical Samson's wife. The final adaptation skillfully manages to achieve the most serviceability for the screen with the least violence to Scripture. Its best job is to create conviction in Samson's feats: e.g., his slaughter with the jawbone of an ass looks plausible because the script places...

Author: /time Magazine | Title: The New Pictures, Dec. 26, 1949 | 12/26/1949 | See Source »

...great Lyric Tenor Jussi Bjoerling and Soprano Dorothy Kirsten sang like opera stars, but acted in the old arm-flailing tradition that has long been the curse of the opera stage. The first matinee was a revival, after nine years in the warehouse, of Saint-Saëns' Samson and Delilah. As a vehicle for Dramatic Tenor Ramon Vinay, the strong man, and Risë Stevens as a self-conscious seductress, the opera never got out of low gear. But in this case it was almost wholly the fault of Composer Saint-Saëns: his slow-moving Samson...

Author: /time Magazine | Title: Music: Fragrant Cheddar | 12/5/1949 | See Source »

Boston University was admitted to the league yesterday to bring the total number of teams to 16. The Samson Cup, NEISL championship trophy, was replaced by a plaque to be retained by the winning team...

Author: NO WRITER ATTRIBUTED | Title: Drake, Weiss Make All N.E. | 11/28/1949 | See Source »

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