Word: samuels
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...work with experts. The result is a vastly popular, very interpretative, always readable paraphrase. The Living Bible is sometimes pretty breezy ("It was Herod's birthday and he gave a stag party"-Mark 6:21) or shocking ("You son of a bitch!"-Saul to Jonathan in 1 Samuel 20: 30-changed to "You fool!" in recent printings). Scholars, including some of Taylor's fellow Evangelicals, uncharitably accuse the book of "excess," "blatant mistranslation," "deliberate distortion" and "theological bias...
...people are aware that Nessie, the serpentine monster that is said to inhabit Scotland's Loch Ness, has an American cousin cruising the depths of Lake Champlain between Vermont and New York. Champ, as the lake monster is called, was first reported in 1609 by the French explorer Samuel de Champlain. Since then there have been some 100 purported sightings of the serpent, which is said to measure anywhere from 10 ft. to 45 ft. and to have a horse-shaped head bearing two tiny horns. Over the centuries, Champ has managed to take care of himself quite well...
...score has two powerful moments that foreshadow the composer's mature style. The first comes in the opening, when the heroine Odabella (Soprano Marilyn Zschau) confronts Attila (Bass Samuel Ramey), who has just killed her father and razed her city, Aquileia. In a fiery aria laced with coloratura, she swears vengeance. Around her a chorus of barbarians praises Attila's conquests. The scene is an early example of the art of dramatic juxtaposition perfected at the end of the third act of Otello, with lago gloating over his fallen master as the Venetians outside sing the Moor...
...more expressive was John Harbison's Samuel Chapter (1978), for soprano and small ensemble. Composer Harbison presents an episode from the Old Testament's First Book of Samuel in a deliberately archaic way, lending his work an austere, ceremonial quality that suits the text well...
...still available. The program, which is the same for both tonight's and tomorrow's concerts, is perhaps the most exciting the Beaux Arts Trio has ever presented at Harvard. It begins with the Haydn Trio No. 27 and the Brahms Piano Quartet No. 1, with guest violist Samuel Rhodes. The group will then be joined by bassist Georg Hortnagel for a performance of the famous Schubert "Trout" quintet, an all-time favorite among chamber music lovers. Hortnagel is flying in from Munich just for this special occasion...