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...Some of the guys in the dugout were saying they hadn’t seen a curveball like that since [San Francisco Giants pitcher Barry] Zito, who I had in the Cape League for a couple of years,” Walsh said...

Author: By Evan J. Zepfel, CONTRIBUTING WRITER | Title: Strong Efforts Ensure Sweep | 4/20/2010 | See Source »

Though originally conceived as a direct portrayal of Asian-American experience—the first show being partly set in San Francisco’s Chinatown—Identities has developed a different relationship with this community in the past two years. Another creative director Jane Chun ’12, a Crimson magazine comper, says she partly used fashion to respond to the current social, political, and economic climate. “Why do women want to dress this way? Why are certain trends occurring? These greater questions extend from fashion to a much larger stage. Yes, fashion...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

...fact will also make it difficult for Japan to drift too far from its close alliance with the U.S. Hatoyama "is trying to move Japan closer to Asia to get more autonomy from the U.S.," explains Ellis Krauss, a professor of Japanese politics at the University of California at San Diego. But Japan is "not going anyplace. The U.S. and Japan together can maybe manage a rising China. Japan...

Author: /time Magazine | Title: Change in Tokyo: Hatoyama's Bid for Respect | 4/19/2010 | See Source »

Rosa M. Robles, a community organizer in San Diego who is at Harvard as part of a week-long program with the National Hispana Leadership Institute, agreed that waiting is not an option...

Author: By Stephanie B. Garlock, CRIMSON STAFF WRITER | Title: Napolitano Stresses Security | 4/16/2010 | See Source »

...acted on impulse. I think that's what gave his images a kind of truth: Johnny Cash at San Quentin State Prison in 1969, flipping the bird directly at Jim's lens, or the Beatles during their final concert performance, or Janis Joplin with her bottle of Southern Comfort, laughing at one of his jokes. There was no hair and makeup, no styling. At heart, he was a photojournalist. With a Leica camera or two hanging from his neck, Jim fought to get the best images he could, no matter whom or what he was shooting...

Author: /time Magazine | Title: Jim Marshall | 4/12/2010 | See Source »

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