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Word: sanctus (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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After the Sanctus and Benedictus, the concert closed on the final part of the Mass, the Agnus Dei. Antony Pay's flawless clarinet solos blended well with the alternating vocal sections, and a distinctive period horn sound, in some very well played passages, filled out the instrumental solo sections. The combination of orchestra, chorus, solo vocal and solo instrumental lines in this final piece created a very pleasing sense of unity to end the concert. The only real problem with the program was that with only 60 minutes of music, it was not enough...

Author: By Chad B. Denton, CONTRIBUTING WRITER | Title: Period Beethoven Program Charms All | 10/23/1998 | See Source »

...Choral Society impressed with its delivery and precision. In Benjamin Britten's "Missa Brevis in D," the women, under the direction of Marvin, achieved a beautiful blend of harmonies and melodic progressions. It is a difficult piece, but the group pulled it off with wonderful mastery--particularly in the "Sanctus," with its unusual layering of voices progressing up a scale. Alto soloist Kate Kraft acquitted herself well in this movement...

Author: By Felicia Wu, CONTRIBUTING WRITER | Title: 'Music From the British Isles' Hits Holiday Note | 12/12/1997 | See Source »

...Came Upon a Midnight Clear," the Glee Club delivered some fabulous consonants--a point that Marvin clearly, and successfully, labors on with his choirs. Continuing on a high note, the warm, resounding harmonies of "Lo, How a Rose E'er Blooming," thrilled the ear. Finally, in the Thomas Tallis "Sanctus" from the "Mass for Four Voices," the group sang with such conviction and enthusiasm that one could imagine Tallis wishing his Renaissance male choirs to sound just like this...

Author: By Felicia Wu, CONTRIBUTING WRITER | Title: 'Music From the British Isles' Hits Holiday Note | 12/12/1997 | See Source »

Music, sound and lighting effects add significantly to the desperation of Hamlet's world. Claire van Kampen's score of trumpets, strings, percussion and piano-coordinated with sounds of wind, sea and rain-compliments the mood of accompanying scenes. The thundering chords, lighting and unearthly chanting of "Sanctus Spiritus" heighten the horror of the Ghost scenes. Strains of piano and strings underlying loving scenes between Claudius and Gertrude and later among Laertes, Ophelia and Polonius reveal the fragility of those moments...

Author: By Dvora Inwood, | Title: The Madness of Hamlet's World | 12/5/1991 | See Source »

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