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...several cases, Nixon's own hand has been on the wrecking bar, his own fingerprints' on the press-ruining bucket of sand. When the Boston Globe's Tom Oliphant was indicted for covering a mercy drop at Wounded Knee, I asked deputy press secretary Gerald Warren whether Nixon was aware of what was going on. Unequivocally, for a change, Warren said "yes." Thus it was the president himself who approved the dragging out of that reckless case until finally even the Justice Department had to wipe the indictment off its books. Nixon's trophy: agony for Tom Oliphant...

Author: By Les Whitten, | Title: Ominous Parallels for a Free Press | 11/27/1973 | See Source »

...records it. In the 134 years since the invention of photography, the photographer has changed what he photographs. In a 1914 palladium print of a beach scene, the photographer has showing off his medium and his process's capacity for detail by cramming as many bathing-beauties and sand castles and rotting rowboats into the scene as possible. But in a 1972 print of the same technique, the photographer no longer shows off, he studies. In this case it is nature that he examines, an intricate detail of a small bunch of crocuses...

Author: By Kathy Garrett, | Title: Photography's Creative Mind | 11/27/1973 | See Source »

...signing took place on Sunday in an olive-drab army tent set up in the sand alongside the highway from Cairo to Suez. The point, known as Kilometer 101, marks the farthest Israeli advance into Egypt before shooting stopped on Oct. 25. Inside the tent, at a U-shaped table covered with gray military blankets, three delegations sat down. Finnish Major General Ensio Siilasvuo, 51, the ruddy-faced commander of the Emergency Force, represented the U.N. Major General Aharon Yariv, 53, Israel's former intelligence chief and an adviser to Golda Meir, represented Israel. Major General Mohamed Abdel Ghani...

Author: /time Magazine | Title: MIDDLE EAST: The War Prisoners Come Home | 11/26/1973 | See Source »

...Torrey Pines, Calif., the air over the beach and cliffs is filled with man-made wings. A ten-year-old boy strapped to a purple and gold hang-glider-a huge swatch of fabric, a metal frame, a trapeze-like seat -leaps from a cliff and circles toward the sand. A middle-aged businessman in a stiletto-winged sailplane, or conventional glider, weaves figure eights. They have plenty of company aloft, flying a variety of craft that come in a rainbow of colors...

Author: /time Magazine | Title: Modern Living: Soaring: A Search for the Perfect Updraft | 11/26/1973 | See Source »

Cavemen's Trophies. In the second long scene (the play is a lengthy, un interrupted triptych), the frustrated boys get spiky-tempered, vicious and ugly. They thwack the girls unmercifully with a beach ball and shove them sprawling into the sand. One of the boys delivers a monologue on what he once found in a girls' John, which for sheer nauseated revulsion at woman as a menstruating animal is in direct descent from the diatribes of the early Christian fathers. Bruised and crying, the girls are lugged offstage like cavemen's trophies...

Author: /time Magazine | Title: The Theatre: Savage Mating Dance | 11/26/1973 | See Source »

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