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...find it difficult working with foreign directors? "No, it was always a thoroughly enjoyable experience. Last year I made a French film with De Broca. Phillipe is the most extraordinary character. This was in Morocco. We were stuck way out in the desert, miles away from everything, just the sand and us. But the French are so marvelous, they create a convivial atmosphere wherever they are. I mean, here we were, in the most godforsaken place, and they were always laughing and cheerful--so wonderfully French! The movie? It's a comedy. I love it. But then, I like zany...

Author: By Celia B. Betsky, | Title: The Compleat Oxonian | 3/27/1972 | See Source »

...look to the east and see snow glinting white on the distant mountains. At dusk, the hills lie gentled, their smoke-blue folds growing slowly deeper with the lapse of light. And the sea always has its magic, especially at night, when the beaches are deserted and the sand runs cool beneath your feet. The waves roll in, sighing at last up the shore. The sky glows faintly overhead and darkens at the horizon. At certain seasons, schools of tiny mad fish called grunion fling themselves on the sand to spawn; they come in shimmering silver waves and are decimated...

Author: By Julie Kirgo, | Title: Hollywood's Last Picture Shows | 3/13/1972 | See Source »

...caper movie to end them all. Unfortunately, it probably won't. William Goldman has transferred the patty-cake banter of his Butch Cassidy and the Sundance Kid to contemporary New York City, where he unleashes a quartet of schlemiel heist men (Robert Redford, George Segal, Ron Leibman, Paul Sand). Their task is to lift a gem called the Sahara stone and turn it over to the pompous African diplomat (Moses Gunn) who contracted for the job. They go to a lot of elaborate trouble to break into places. The gimmick is that the stone is never where...

Author: /time Magazine | Title: Cinema: Schlemiel Quartet | 3/6/1972 | See Source »

...bring this off. When he is successful, the dialogue attains the bellylaugh level and is made all the more funny with the extra wallop of an unexpected rhyme. When he falls, the dialogue lapses into dry monotony which is about as pleasurable to the audience as chewing on sand...

Author: By Sim Johnson, | Title: Le Misanthrope | 3/4/1972 | See Source »

Whatever the facts, Angkor itself is the almost certain loser. "If the repairs are not completed immediately," a member of the restoration team told TIME'S David DeVoss, "all our efforts will be wasted. Most of the walls are supported only by wooden beams and sand. When the sand blows away and the rain rots the timber, Angkor Wat will be only a memory...

Author: /time Magazine | Title: CAMBODIA,BANGLADESH: Angkor Imperiled | 2/28/1972 | See Source »

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