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...grandeur of the West is already surrealistic, as in "Sand Dunes at Sunrise, Death Valley" (1954), then surrealism is nature and Adams is only its faithful scribe. We must look to his choice of the instant in portraiture or in an urban world to find the mind of the artist shaping its material. The regularity of the natural stonework in "Grand Canvon" is like the automated regularity of the "San Francisco Bay Bridge from Yerbe Buen Island" (1953). Adams chooses to portray the bridge in a straightaway perspective with its vanishing point squarely centered: Beetle-like automobiles march toward infinity...

Author: By Margaret A. Byer, | Title: Ansel Adams | 8/8/1967 | See Source »

...ledger's $40 million loss that year into a $12.5 million gain in 1966. Altogether this year, the studios will release eight road-show films, next year at least ten. Last week half of Variety's top ten grossers in the U.S.-Thoroughly Modern Millie, Sand Pebbles, A Man for All Seasons, Grand Prix, and The Taming of the Shrew-were on a reserved, or "hard-ticket," basis...

Author: /time Magazine | Title: Box Office: Upsurge for the Movies | 7/28/1967 | See Source »

...approach worked the least was Chopin's Sonata in b flat minor, Op. 35, the one that contains the famous Marche funebre. One of the composer' masterpieces, it dates from that period of his life when he was still in the first heat of his love affair with George Sand. As well-made as it is, the work pouring of melody that is sapped of life by an attempt to bring out every element of compositional logic. After all, this music is French. As in the Schubert, Shure was at times heavy-handed, especially in the bass, and the melodies...

Author: By Robert G. Kopelson, | Title: Leonard Shure | 7/14/1967 | See Source »

...girl named Joan. That hippies can actually work becomes evident on a tour of the commune's vegetable gardens. Cabbages and turnips, lettuce and onions march in glossy green rows, neatly mulched with redwood sawdust. Hippie girls lounge in the buffalo grass, sewing colorful dresses or studying Navajo sand painting, clad in nothing but beads, bells and feather headdresses. (Not everyone is a nudist-only when they feel like it.) A shaggy sheepdog named Grass plays with the hippie children, among them a straw-thatched 17-month-old boy named Adam Siddhartha...

Author: /time Magazine | Title: Youth: The Hippies | 7/7/1967 | See Source »

...pushing a combination of what he calls the "Renaissance page quality" and the astronaut look, mixing his capes with Layne Nielsen's visored helmets, or putting together a long corduroy coachman's coat with vest, pants and satin ascot shirt ("It's a combination of George Sand and Cher...

Author: /time Magazine | Title: Fashion: Anyone She Wants to Be | 6/23/1967 | See Source »

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