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Word: sanda (lookup in dictionary) (lookup stats)
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...side, he plays poker-"an evil game. If you want to win you have to be vicious." To heighten his perception, he has delved into drugs, fasted and conducted sexual experiments with his wife. To sharpen his powers of concentration, he races his Formula V car. Dominique Sanda, his co-star in The Conformist, describes him as "an eye that listens attentively." Says Trintignant: "I wake up in the morning and think, 'How would my character wash his teeth?' I build up a valise of ideas about him." With that valise, Trintignant never travels light...

Author: /time Magazine | Title: Show Business: Man with a Valise | 6/26/1972 | See Source »

Without Apparent Motive, a new thriller with Dominique Sanda, Jean-Louis Trintignant, and a lot of wit. Cheri...

Author: NO WRITER ATTRIBUTED | Title: the screen | 3/16/1972 | See Source »

...Conformist. One of the great ones: by Bernardo Bertollucci, with Dominique Sanda and Jean-Louis Trintignant...

Author: NO WRITER ATTRIBUTED | Title: The Screen | 3/2/1972 | See Source »

...Conformist features the year's freshest colors, passionate direction, and a beautiful girl who can act, Dominique Sanda. It is also meaningfully ridden with guilt and melancholy. Filmmaker Bernardo Bertollucci--once a Godard acolyte--here encloses himself in circular storytelling and claustrophobic environment. A repressed homosexual (Jean-Louis Trintignant) turns to Fascism to become one of the boys, can't cut the mustard even then, and finally returns to simpering solitude when Mussolini falls. The film examines the paths decadence travels in a decrepit society: note that the liberal professor whom Trintignant reveres fled Italy when his student most needed...

Author: By Michael Sragow, | Title: Natural Selection | 2/17/1972 | See Source »

...REAL PROOF of an all--too--worldly' morality lies in Dominique Sanda's Micol. Showing herself as an almost incestuous alter ego to Helmut Berger's Alberto, her cool beauty fails to mask a festering decadence that has been epitomized by Berger's own performances in Visconti's The Damned, and Bertollucci's The Conformist. While society is being corrupted outside the garden, the self-contained life-style perpetuated by the Finzi-Continis on the inside is rotting at the core. Raised as a bluestocking, Micol quips to Giorgio that she's writing her thesis on Emily Dickenson, "a dried...

Author: By Celia B. Betsky, | Title: The Garden of the Finzi-Continis | 2/16/1972 | See Source »

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