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Student events also take second priority at Sanders, which charges a hefty sum for use of its space. Even if Sanders were free, it would be a flawed venue. It only seats 1,166 people, and one need only remember the absurdity of Jim Breuer grunting and grabbing his belly...

Author: By Aria S.K. Laskin, CONTRIBUTING WRITER | Title: How to Save Springfest | 4/28/2005 | See Source »

Interest at Harvard itself usually just isn’t enough to fill a concert hall as big as Sanders, he explains, and the bulk of HRO’s audience has been coming from outside the University walls.

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: HRO Comes Alive | 4/22/2005 | See Source »

“There’s a lot of people, not necessarily at Harvard, who have a very narrow-minded view, who think that if people don’t know that you’re not supposed to clap between movements then they shouldn’t go...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: HRO Comes Alive | 4/22/2005 | See Source »

At last Friday’s performance, the entire front section of the Sanders main floor was filled with grown-up folks from the Pierian Foundation, HRO’s alumni support network. In addition to simply coming to the concerts, the Pierians provide funding for the orchestra and help...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: HRO Comes Alive | 4/22/2005 | See Source »

However, as DJ Spooky’s show at Sanders Theatre last month demonstrated, VJs aren’t limited to psychedelic wankery, but can create unique politically charged artistic statements. In Sanders, Spooky juxtaposed a live remix of the Ku Klux Klan epic “Birth of a...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: Opti-Phonic VJs Remix Culture | 4/22/2005 | See Source »

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