Word: sanding
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Dates: during 1960-1969
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...skin. Resnick pulled it down across his throat, and as the killers pulled once more, he emitted a short gasp. For more than three minutes, the young men heaved like draft horses before finally relaxing their grip on the rope. Resnick's body slumped face-down on the sand. Jackie Spurlock, 29, quickly removed two rings from the dead man's fingers, methodically went through his pockets. The haul: a two-carat diamond ring, two wedding rings, a stainless-steel watch, worn gold Masonic ring and key, two dimes and five pennies, with a total value...
...screened by a few cacti and greasewood shrubs, and its five occupants got out: four young Negroes and a short, once-paunchy white man in a brown suit that was now much too big. Samuel L. Resnick, 61, a retired jeweler, looked around and squashed a Marlboro into the sand. He had an appointment with death. He knew...
...track barriers that once seemed as formidable as the Great Wall of China are crumbling like castles in the sand. In a single season indoors, U.S. athletes have produced a 16-ft. pole vault, a 64-ft. shot-put, a sub-4-min. mile. Last week, as the trackmen started moving from indoor boards to outdoor cinders, Negro Sprinter Francis Joseph Budd, 22, prepared an assault on the sturdiest barrier of all: 9 sec. for the 100-yd. dash...
Taken Over. On Long Island's south shore, protective sand dunes crumbled. Into the raging Atlantic waters went summer houses at Westhampton Beach, some valued at $50,000, and more modest shacks on Fire Island's dunes. Water swirled over car tops at Coney Island. Nearly one-third of the total damage occurred in New Jersey. Atlantic City's exposed Steel Pier was partially swept away, stranding the former "Miss America" ballroom. Hundreds of homes were ruined on Long Beach Island, which was sliced into five islets by the waves. At devastated Sea Isle City, a three...
...before that, he marinates impressions, characters, experiences. Iguana emerged from a 1940 trip to Acapulco. By 1946, it was a short story. By 1959, it was a one-act play, produced at a theater festival in Spoleto, Italy. Four separate versions followed, and to compare them is to watch sand turning into Baccarat crystal. Says Williams: "It takes five or six years to use something out of life. It's lurking in the unconscious- it finds its meaning there." Essentially, Williams has been chosen by his subjects...