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This sense of the surface and its continuity led to the decorative grandeur of his later still lifes. Braque loved "slow" surfaces, porous and mortared, the paint mixed with sand or sawdust. They had a solid, discreet material presence. They sucked the paint out of the brush and made fluent, wristy drawing impossible. Instead, all is deliberate plotting. You do not look through the paint but at it. Braque's determination to keep everything on the surface is the first thing that strikes you in the great still lifes and interiors of the 1940s and '50s, and it lends them...

Author: /time Magazine | Title: Art: Glimpses Of An Unsexy Tortoise | 8/1/1988 | See Source »

...open up in the morning. Our business is off by 90%, and instead of 40 workers we have 17." At the new Hyatt Regency, the management closed several floors and dispatched the general manager to the U.S. to drum up business. And, notes Executive Assistant Manager Moshe Sand, "we no longer advertise that we are a stone's throw away from the holy sites...

Author: /time Magazine | Title: Living: The No-Shows at Israel's Party | 7/25/1988 | See Source »

...Bubble demonstrated the miracles of surface tension. Next Sunday, the Sea Chanty Singers and Storytellers from the Mystic Seaport Museum in Connecticut will tell children about the New England ocean life, and for its final weekend, Summer Splash will host a beach party complete with 70 tons of imported sand...

Author: By Katherine E. Bliss, | Title: Summer Splash at The Children's Museum | 7/19/1988 | See Source »

...going to bring in sand, beach balls, beach games and music to create the atmosphere of a beach right here in Boston," says Eaton. "We won't use the water from the harbor, of course. But we want the beach party to be symbolic of that day in the future when the people of the inner city water areas can use the local water. This all goes along with the Harbor Clean-Up project. We want the water to be enjoyed as clean...

Author: By Katherine E. Bliss, | Title: Summer Splash at The Children's Museum | 7/19/1988 | See Source »

...extent that anyone can define it, Santa Fe style is largely a matter of shape and shading -- the colors of sagebrush and ashes, watery blues and rose and clay. The sand-castle city of its birth is a town without right angles, where whitewashed walls and doorways and fireplaces bend and curve, hand shaped from clay. Sometimes, as translated by non-Hispanic designers like Architect David Kellen, the style becomes an "abstraction of a Mexican type of design...

Author: /time Magazine | Title: Living: Earth And Fire | 7/11/1988 | See Source »

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