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Desperate men need desperate entertainment: an Adam Sandler movie...

Author: /time Magazine | Title: Managing To Tolerate Adam | 4/21/2003 | See Source »

...Anger Management, written by David Dorfman and directed by Peter Segal, Dave Buznik (Sandler) is a mouse afraid to roar. Traumatized by a childhood depantsing episode, he is reluctant to kiss his girl (Marisa Tomei), sass his boss or speak up for himself in tones above a whisper. Dave needs fate, or a series of preposterous plot machinations, to effect his deliverance. He is put into the care of a radical therapist, Dr. Buddy Rydell (Jack Nicholson...

Author: /time Magazine | Title: Managing To Tolerate Adam | 4/21/2003 | See Source »

...series, the Brattle is running two of last year’s most intelligent films as a double feature. Punch-Drunk Love, the latest triumph from director Paul Thomas Anderson (Magnolia, Boogie Nights), is a shining comic love story with powerful, artifice-free turns from Adam Sandler and Emily Watson; Philip Seymour Hoffman also has a few funny moments as a crass Utah entrepreneur. Meanwhile, Roger Dodger follows a suave but immature ladies’ man (Campbell Scott, in one of the year’s best performances) through a night in New York City as he shows his high...

Author: By The CRIMSON Staff, CRIMSON STAFF WRITER | Title: LISTINGS -- April 11 to 17, 2003 | 4/11/2003 | See Source »

...aided in no small part by the Catholic Church's angry public boycott of the film. Those numbers have Hollywood recruiting Latins like Juan José Campanella, whose Son of the Bride, a touching comic drama about family and mid-life crisis, is being remade in English starring Adam Sandler. What are the U.S. studios looking for? In today's Hollywood, says Campanella, "the emotional element is missing. Once upon a time, American films could guarantee 'You'll laugh, you'll cry,' but they don't know how to do it any longer." In other words, they lost the buena...

Author: /time Magazine | Title: The Latin New Wave Crests | 3/16/2003 | See Source »

...that Frida isn’t at least a bit diverting. The script provides ample room for its all-star cast to give showy, but convincing performances, for one. Salma Hayek, in a year of break-out roles for actors of mediocre repertoires (just ask Adam Sandler), fits nicely into the role of Kahlo. Her dizzying spurts of emotional vulnerability play surprisingly well, but in other instances, it’s subtlety that she and co-star Alfred Molina (as Kahlo’s infamous husband, Diego Rivera) clearly lack...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: Frida | 10/24/2002 | See Source »

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