Word: saneness
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...Percy's last novel Lancelot, the reader can't be sure whether these ideas are the product of a sane mind, ideas with which the author concurs--or whether they are lunatic ravings. It's a very convenient device for Percy. He can say controversial things about war, about Nazis and Jews, about other sensitive subjects and still leave room for himself to disavow then if a reader gets too offended. But in The Second Coming, Percy introduces a new sort of character--the genuine schizophrenic, not a mouthpiece for his own questionable ideas but a true dysfunctional. Allison...
...Nazis holed up in a Belgian insane asylum recalls the charming ballet of war in King of Hearts. Fuller's use of music and symbols is again heavy-handed and the sequence ends with a madman firing a machine gun with berserk glee and shouting, "I am sane, I am sane," but poetic camera movement and a sense of humor, even about death, make the scene more than just another "Who's-really-insane?" routine...
...Percy's last novel Lancelot, the reader can't be sure whether these ideas are the product of a sane mind, ideas with which the author concurs--or whether they are lunatic ravings. It's a very convenient device for Percy. He can say controversial things about war, about Nazis and Jews, about other sensitive subjects and still leave room for himself to disavow then if a reader gets too offended. But in The Second Coming, Percy introduces a new sort of character--the genuine schizophrenic, not a mouthpiece for his own questionable ideas but a true dysfunctional. Allison...
...Nazis holed up in a Belgian insane asylum recalls the charming ballet of war in King of Hearts. Fuller's use of music and symbols is again heavy-handed and the sequence ends with a madman firing a machine gun with berserk glee and shouting, "I am sane, I am sane," but poetic camera movement and a sense of humor, even about death, make the scene more than just another "Who's-really-insane?" routine...
...Nazis holed up in a Belgian insane asylum recalls the charming ballet of war in King of Hearts. Fuller's use of music and symbols is again heavy-handed and the sequence ends with a madman firing a machine gun with berserk glee and shouting, "I am sane, I am sane," but poetic camera movement and a sense of humor, even about death, make the scene more than just another "Who's-really-insane?" routine...