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Word: saner (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Elsewhere, student bodies have already taken a second look at good-faith faculty efforts to make archaic universities more democratic, relevant and effective. On some campuses, skilled administrators have warded off outside interference by firmly dealing with radicals while simultaneously "co-opting" their saner demands...

Author: /time Magazine | Title: Students: Signs of Moderation? | 2/28/1969 | See Source »

...cross-cutting techniques, his ultimate vision. No one seeing Skidoo can deny that the Mafia threat (central to the plot) is secondary in moving the action to the power of Preminger's decision to control personally the behavior of his characters and the structure of his film, disregarding saner methods of storytelling. The abrupt insertion of musical numbers, for example, or the prison escape sequence may strike you as unbelievable or wretchedly excessive, but you know notwithstanding that a DIRECTOR is in control and is exercising his prerogatives. The cross-cutting (as in Hurry Sundown) makes no concessions to audience...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

...shot, Nosal quickly fell behind the Tiger's Mike Saner who threw 50' 10" on his first try, but came back again on his final throw to post a 51' 5" beating Saner, Princeton, and almost coincidentally the Harvard record...

Author: NO WRITER ATTRIBUTED | Title: Nosal Pegged to Top Ivies In Both Hammer, Weight | 5/31/1968 | See Source »

...existential act of rejecting cogito, ergo sum for sum, ergo sum, they have taken on, willy-nilly, a vast commitment toward a kindlier, more equitable society. The young often seem romantics in search of a cause, rebels without raison d'etre. Yet in many ways they are markedly saner, more unselfish, less hag-ridden than their elders...

Author: /time Magazine | Title: Man Of The Year: The Inheritor | 1/6/1967 | See Source »

Director Aldrich piles on a series of scream-in-the-night shocks, the better to batten a script strikingly short of sneakier surprises. In Charlotte's formula for terror, the nuttiest characters naturally turn out to be saner than anyone else. But there is rich menace in the dark, lushly mossy photography of Joseph Biroc, whose camera seems to have a malevolent presence of its own-a thing of shadows, catching the glint of an evil eye through the gossamer of steamed windows or sweeping up a curved balustrade that coils into the blackness below like an enormous question...

Author: /time Magazine | Title: Cinema: Dragon Ladies | 3/19/1965 | See Source »

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