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...gave Gus Van Sant the bloody right to remake Psycho? That's the question outraged cinephiles have been asking since the risk-loving director of Good Will Hunting said he would "re-create" Alfred Hitchcock's horror classic, using the original script updated with color camera work and hip young actors. But according to Van Sant, the master of suspense himself--or at least his spirit--seems to favor the project. "We had some ghostly messages before we started," Van Sant says, describing an impromptu seance with Hitchcock at a Los Angeles restaurant. "We just happened to be with...

Author: /time Magazine | Title: Cinema: His Own Private Psycho | 9/7/1998 | See Source »

...stout one's specter continued to pervade the set of the "new" Psycho, which wrapped production last week. Prior to each scene, Van Sant and his crew huddled around a video monitor to watch similar bits of the 1960 version, making sure every moment was rendered with respect, if not calibrated precision. "The word remake is a fallacy," says cinematographer Christopher Doyle. "What we're trying to do is revoke and evoke." Besides running the older movie on a DVD player, Van Sant tacked photos of various freeze-frames on a nearby bulletin board as guides. "The concept...

Author: /time Magazine | Title: Cinema: His Own Private Psycho | 9/7/1998 | See Source »

...Perkins' iconic portrayal of Oedipal maniac Norman Bates as well as the art-gore montage of the winsome Janet Leigh being stabbed to death in a shower. For some, the thought of Gen X stars Vince Vaughn and Anne Heche replaying those parts seems like heresy. Not for Van Sant. "[Psycho] is perfect to refashion as a modern piece," he insists. "Reflections are a major theme in the original, with mirrors everywhere, characters who reflect each other. This version holds up a mirror to that film; it's sort of its schizophrenic twin...

Author: /time Magazine | Title: Cinema: His Own Private Psycho | 9/7/1998 | See Source »

...young Will Hunting. His perfection would be nothing short of irritating and boring. Yet Harvard golden boy Matt Damon sheds layer upon layers of complexity until finally we reach the core of his character near the movie's end. The film itself is nothing particularly exceptional. Director Gus Van Sant prefers a straight-up telling of the tale--there's little to distract you from the fable playing out on screen. --Soman S. Chainani...

Author: NO WRITER ATTRIBUTED | Title: Brevitas | 4/17/1998 | See Source »

...young Will Hunting. His perfection would be nothing short of irritating and boring. Yet Harvard golden boy Matt Damon sheds layer upon layers of complexity until finally we reach the core of his character near the movie's end. The film itself is nothing particularly exceptional. Director Gus Van Sant prefers a straight-up telling of the tale--there's little to distract you from the fable playing out on screen. Soman S. Chainani...

Author: NO WRITER ATTRIBUTED | Title: Brevitas | 3/20/1998 | See Source »

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