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Word: santana (lookup in dictionary) (lookup stats)
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...Santana's recent hit "Everybody's Everything" was a note-for-note steal (with rewritten lyrics) of an early sixties song. Name the song and the group...

Author: By Compiled BY Andy klein, | Title: Semi-Annual Oldies Quiz | 1/19/1972 | See Source »

From the beginning a rousing dance band, they eventually expanded their style experimenting with pure electrical sound and adding a second drummer into the group. The two drummers were to become a much initiated rock convention, most effectively exploited by Carlos Santana and the late Duane Allman. The Dead throbbed with a will to create and their second album was an endeavor unpretentiously titled Anthem of the Sun. And if you don't think that that work is a genuinely artistic statement--a portrait of the energy source of both nature's world and (excuse the philosophic indulgence) the world...

Author: By Jim Krauss, | Title: Living The Dead | 12/15/1971 | See Source »

...inimitable druggy sentiments ("Yeah, you've got plastic boots/ Y'all got cocaine eyes Yeah you got speed freak jive"), then shifts suddenly into a long Latin-based instrumental coda that shows how well the Stones have been keeping up with the times in general, and Santana in particular...

Author: /time Magazine | Title: Music: Return of Satan's Jesters | 5/17/1971 | See Source »

...switched the emphasis from Broadway show albums and the "easy-listening" music of Andre Kostelanetz and Mitch Miller to contemporary rock. Columbia already had Bob Dylan, Simon and Garfunkel and the Byrds under contract. Davis greatly expanded that list by adding such innovators as Janis Joplin, Laura Nyro, Santana, and Blood, Sweat and Tears. Rock moved from 15% of Columbia's volume in early 1967 to more than 50% now. Last year Columbia's domestic division had sales of about $200 million, and pretax profits almost doubled, to $25 million...

Author: /time Magazine | Title: Corporations: Supersonic Boom | 9/28/1970 | See Source »

...music itself is not very good. There were thirty-five acts at Woodstock, and there are only thirteen in this film. The choices made here remain inexplicable, hence you should go prepared to be bored. A few of the heavies: Joan Baez, Richie Havens, Santana, Sebastian, Joe Cocker, Ten Years After, Crosby, Stills, Nash, and Young, each set more intolerably mediocre than the last and if you start with Baez doing "Swing Low, Sweet Chariot," you can imagine where that takes you. Where are the Airplane, or the Dead, or even the Band...

Author: By Joel Haycock, | Title: 'Woodstock' on Film No Love for Rock | 9/24/1970 | See Source »

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