Word: santas
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This year, the HRO leadership has opted to use a politically-correct, alternative moniker for that age-old tradition known as "Secret Santa." The festivities will now be called 'Super Sexy Secret Secular Santa,' according to HRO percussionist Elizabeth C. Bloom...
...imposed on all gifts, students were encouraged to be creative in their searches for the perfect (cheap) gift, said Bloom, who gave her lucky target a photoshopped picture. One student was given, well, a box of tissues—perhaps the fact that his Super Sexy Secret Secular Santa is competing against him for a leadership position sheds some light on that particular transaction...
...fast-paced noir of the third section finds a Harlem journalist named Oscar Fate reporting on a boxing match in the Santa Teresa. Clearly the most narrowly realized of the five sections, Bolaño’s odd-footed parsing of racial and radical politics from New York City has a Kafkaesque absurdity about it (cf. “Amerika”). The world Fate inhabits is awkwardly fleshless, but the details he chooses can illuminate whole parallel universes; “[T]he Mohammedan Brotherhood caught his attention because they were marching under a big poster of Osama...
...unflinching, procedural language that bypasses poetic imagery or strips it to its disturbing core. The Part About the Crimes, the longest section of the novel and its most infamous, unfolds 300 pages of stark summary, illustrating the various cases of kidnapping and murder that took place in and around Santa Teresa between 1993 and 1997. The narrative, based on the actual unsolved murders in Juárez known as the feminicidos that continue to this day, mirrors the structure of “The Savage Detectives” in their ephemeral disinterest. Detectives, bodyguards, politicians, and prophets float...
...2666” as a sort of museum of humanity, with triumph and atrocity laid bare and placed side by side: never equivocated, but inextricable from one another. The novel’s end comes suddenly, without reflection or resolution, as Archimboldi prepares to depart for Santa Teresa—the novel’s first cause. “2666” begins with an epigraph from Charles Baudelaire (“An oasis of horror in a desert of boredom”) and for many of the book’s critics, it never delivers more than that...