Word: sante
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Though Vivek R. Sant ’10 is appreciative of free wireless at airports, he said he is slightly suspicious of Google’s motives. “It is hard to believe that they are doing this just because they have these high principles of giving free WiFi to everyone,” said Sant, the business manager of the Harvard Computer Society...
...Monday as sectarian violence once again erupted in India's Sikh-majority state of Punjab. At least two people have been killed and 14 injured since news reached Punjab yesterday via text messages and mobile phones that a Sikh preacher of a lower-caste sect, 57-year-old Sant Rama Nand, had been shot dead in a clash in a temple in Austria. Thousands of lower-caste Sikhs took to Punjab's streets armed with swords and batons, burning buses and blocking trains. A curfew was imposed in five Punjab towns, and military and paramilitary forces have been called into...
...novel 300 and now this--and films them with the near fanatic fidelity of someone constructing an Eiffel Tower replica out of matchsticks. To Watchmen, he brings a reverence for the text that equals Mel Gibson's in The Passion of the Christ and comes close to Gus Van Sant's shot-by-shot remake of Hitchcock's Psycho...
...Watchmen he brings a reverence for the text that equals Mel Gibson's in The Passion of the Christ and comes close to Gus Van Sant's shot-by-shot remake of the Hitchcock Psycho. He uses Gibbons' panels as virtual storyboards for his scenes, and quotes Moore's ripe dialogue verbatim. (From Rorschach's journal: "Beneath me, this awful city. It screams like an abattoir full of retarded children.... The dusk reeks of fornication and bad consciences...
...untimely death. “Police hated us, and we hated them right back,” Milk says on the tape. The film begins with actual black-and-white footage from the 1970s of anti-gay rioters and police brutality being used to quash gay protests. Van Sant also splices the film’s action with witness interviews about the violence. “All we could hear was screaming, crushing, smashing. It was terrifying,” one man says. This effective juxtaposition not only enhances the film’s plot, but also reminds the viewer...