Word: santos
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...clear evening in Florence, from a rear terrace of the 15th century Palazzo Frescobaldi, you can see the lighted campanile of Brunelleschi's late masterwork, the Santo Spirito Church, commissioned by a Frescobaldi in the mid-1400s. The church is almost 150 years younger than the family's 700-year-old business. Now the Frescobaldis, best known for their sumptuous Brunello di Montalcino wine, are coming out of the Middle Ages, forming international alliances that would impress even their arch rivals, the Medicis, and embarking on a marketing strategy for the 21st century...
...pedal steel guitar is the descendant of the lap steel, which came into vogue around 1915 with the Hawaiian music craze and gradually worked its way into the American mainstream via the music of Bob Wills, Hank Williams, Alvino Rey and Santo & Johnny ("Sleepwalk"). American manufacturers like Rickenbacker and Gibson began making instruments to suit this new style of music, essentially flat slabs of wood, metal or Bakelite outfitted with a pickup and six or eight strings set about an inch above a painted-on fretboard. A guitar in name only, the steel guitar is played seated...
...Back - Lennon/McCartney 2. The Chain - Lindsey Buckingham/Mick Fleetwood 3. Aja - Donald Fagen/Walter Becker 4. Sleepwalk - Santo Farina/John Farina/Ann Farina 5. The Girl from Ipanema (The Lounge Lizard Song) - Jobim 6. You Belong to Me - Michael McDonald 7. Don't You (Forget About Me) - Forsey/Shiff (Simple Minds) 8. Superstitious - Stevie Wonder 9. Honky Tonk Women - Jagger/Richard 10. Free Falling - Tom Petty...
...came to Harvard with a strong interest in elocution, but there is not much opportunity to perform oral interpretation here," said Niki Villanueva Santo '00, one of the participants in the competition. "The Boylston contest is one of the last vestiges of that tradition at Harvard...
...Leonard Bernstein would have been welcome, but the lean, laconic score keeps the action moving, lending Miller's kitchen-table naturalism a freshening touch of poetry. Add in Josephson's star-quality performance as Eddie, the exemplary staging of Frank Galati (who directed Broadway's Ragtime) and Santo Loquasto's angular set--the Brooklyn Bridge as painted by Franz Kline--and you get a no-nonsense tragedy whose final curtain falls with the tight-lipped impact of a police report...