Search Details

Word: santuzza (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...fell in love with Composer Pietro Mascagni's original score, which calls for much slower tempos than the opera customarily is given. (His performance ran a full ten minutes longer than the normal 70 minutes.) Tension and excitement drained away as Tenor Franco Corelli and Soprano Grace Bumbry (Santuzza) dutifully sacrificed dramatic pacing to accuracy, concentrating on breathing deeply to manage the long phrases...

Author: /time Magazine | Title: Music: Verismo Revisited | 1/19/1970 | See Source »

...sociology; Fidelia is a highly moving musical treatise on freedom, The Marriage of Figaro on the corruption of aristocracy, Don Carlos on the dilemmas of power. Opera plots and music are sexy. Most operatic heroines fail to wait for the wedding ceremony (Manon, Mimi, Tosca, Aïda, Carmen, Santuzza, Brünnhilde), and they (Norma, Marguerite, Sieglinde, Suor Angelica) have a lot of illegitimate children. Whatever one may think of the plots, one remembers the characters. Rigoletto may end up absurdly with the heroine killed by mistake and then carried in a sack by her own father, who thinks...

Author: /time Magazine | Title: Essay: OPERA: Con Amore | 10/8/1965 | See Source »

Trovatore will be remembered for the debut of Giulietta Simionato, the great Italian mezzo-soprano who sang Azucene. Simionato is known to record collectors for her superb Rossini performances. Yet, her extraordinary range enables her to perform parts as diverse as Azucena and Santuzza with equal ease and brilliance. Her Trovatore could not have been bettered. In these days when dramatic singers with reliable techniques are rare, a good Azucena, so difficult a part, is harder to find than the "great American opera...

Author: By Ian Strasfogel, | Title: A Week at the Opera | 10/30/1959 | See Source »

...Tucker's fervent and sensuous voice sounded offstage in Turiddu's precurtain love song, the audience was his. Dressed in a tinhorn gambler's dark shirt and the cheap Sunday suit of a Sicilian villager, Tucker swaggered about the stage in response to broken pleas from Santuzza (well sung by Veteran Zinka Milanov). He powerfully thundered forth his challenge to Alfio, husband of his mistress, and in the final great aria movingly sang his farewell to his mother, the sure delicacy of his voice topped off by his rough parting cry: "Un bacio, mamma, addio!" After...

Author: /time Magazine | Title: Music: Two Home-Town Boys | 4/8/1957 | See Source »

Svelte, brunette, born at Boonton, N. J. in 1900, Helen Gahagan took up singing after theatrical successes in Young Woodley and Diplomacy. In Germany and Czechoslovakia she sang in Tosca and the part of free-&-easy Santuzza in Cavalleria Rusticana, which was her role the fifth night in Cleveland last week...

Author: /time Magazine | Title: Music: Buckeye Opera | 8/10/1931 | See Source »

| 1 | 2 | Next