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Word: sao (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...home state) ; to others he is the "only man in Brazil who gets things done." The boss of 28 newspapers, 19 radio stations, five magazines and two TV stations (TIME, June 8, 1953), Chato has channeled his efforts into every field, from organizing free milk stations to setting up Sao Paulo's first art museum...

Author: /time Magazine | Title: Art: Senhor Robin Hood | 7/19/1954 | See Source »

...seven years, Chato has made Sao Paulo's Museum of Art one of the finest in the world. Among its treasures, it boasts two Titians, two El Grecos, four Goyas, four Manets, two Monets, seven Modiglianis, ten Toulouse-Lautrecs, eleven Renoirs, four Van Goghs, five Ceézannes, two Gauguins, two Picassos and such masters as Bellini, Mantegna, Memling, Raphael, Rembrandt, Rubens and Valasquez. Most of these possessions are a result of Chato's winning way of putting the bite on other people for money...

Author: /time Magazine | Title: Art: Senhor Robin Hood | 7/19/1954 | See Source »

...former Ambassador to the U.S.) Walther Moreira Salles is donor of a Picasso, a Degas and a Modigliani; Sugar Magnate Fulvio Morganti is down for a Utrillo; Financier Adriano Seabra gave a Titian. In all, persuasive Chato has roped in 381 donors, including nine banks, 38 industrial companies and Sao Paulo's Jockey Club...

Author: /time Magazine | Title: Art: Senhor Robin Hood | 7/19/1954 | See Source »

...paintings (worth, says Chato, about $14 million) ranged from gilded early Italians through paintings by Rembrandt, Van Dyck, Rubens and Hals, and on into a luxurious display of French impressionists. Included for the first time were 33 brand-new purchases which had not even been seen in Sao Paulo. Centerpiece of the show: a fine Renoir, Baigneuse au Griffon, a nude against a background of muted brown...

Author: /time Magazine | Title: Art: Senhor Robin Hood | 7/19/1954 | See Source »

...Heidelberg and has never before been shown in the U.S., was bought by the Guggenheim's trustees on the advice of the museum's new director, James Johnson Sweeney, a knowledgeable critic and an energetic man-about-museums (he has arranged exhibitions in Venice, Paris, London and Sao Paulo, served as Director of Painting and Sculpture for Manhattan's Museum of Modern Art). When Sweeney took over the Guggenheim 18 months ago, it was a cultish temple of nonobjective art. Its paintings were mainly second-rate German abstractions which looked like the products of a well-sterilized...

Author: /time Magazine | Title: Art: NEW CEZANNE | 3/29/1954 | See Source »

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