Word: sara
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...Agassiz stage. His powerful voice resonated through the theater, his expressions of torment and outrage unmistakable in his every motion: he was in one word, awesome. Shelby-Braxton Brooks, last seen in the Freshman Musical, added grace and memorable style in her role as Aurora. Beautifully choreographed by Sara Heller '01, Brooks' dance numbers with her eager male followers brought enthusiasm and life to the dejected prison. Not only does Braxton-Brooks hold her own as the illusory Aurora, an extremely difficult role to play as she must transcend reality, she does it with flair...
...success of the musical as it provided exciting interludes and set the atmosphere of this dramatic tale. Set designer Phillipa Brashear '01 and Lighting Designers Emily Oster '02 and Marcie Ulin '02 worked beautifully together to transform the Agassiz into the brutal prison. The direction of the cast by Sara Heller is also highly commendable. It's not every day that a musical about prison life under a dictatorship with a healthy dash of controversial political and social issues can be turned into something as energizing and captivating as this production of Kiss...
...identity of the starting point guard remains a mystery, but senior Sara Perkins, who returns after a two-year absence, will fight to see significant playing time at the point...
...identity of the starting point guard remains a mystery, but senior Sara Perkins, who returns after a two-year absence, will fight to see significant playing time at the point...
...Friars (20-10-3, 14-7-3) will have a very different look in 2000-01, especially from the perspective of the Providence crease, where the absence of netminder Sara DeCosta will be a welcome relief to the rest of the ECAC...