Word: sara
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...said he would like to see the drop-in program extended to the rest of the upperclassman houses and the freshman dorms. During the pilot program, only students in four houses—Adams, Lowell, Mather and Pforzheimer—will have access to the drop-in hours. Sara R. Zaidi ’11, who serves as a director of Student Mental Health Liaisons, said the program could be successful because of the proximity factor. “They are putting resources where students live and eat and spend most of their time,” she said...
...typical romantic fanfare doesn’t find a place in the Harvard-Radcliffe Dramatic Club’s production of “Stop Kiss.” Though the title might lead an audience to assume that the plot revolves around the moment when the main characters, Sara (Christina L. Elmore ’09) and Callie (Rachel E. Flynn ’09), finally share that tender moment, it is far from being the pivotal point of this personal and poignant script. The show—which will have three more performances this Thursday through Saturday...
...from Harvard Musician in Residence Isaiah A. Jackson III ’66: “You can’t plan the important things.” Hosted by the Harvard College Women’s Center and co-sponsored by the Office for the Arts at Harvard, Sara E. Jobin ’91 spoke with a group of students over lunch as part of the Alum-inating! program, a speaker series that brings a prominent alumna to campus each semester. Jobin—who is also this year’s Clifton Visiting Artist, a position given...
...Salad Days” aren’t just dinners in the dining hall when the hot meal seems less than appealing. A phrase first penned by Shakespeare, “Salad Days” is also the title choreographer Sara Hook gave to the production comprised of seven of her short, satirical dances that took place Saturday evening at the Harvard Dance Center. In addition to being the Harvard Dance Program’s opening production this season, “Salad Days” was first show entirely made up of pieces choreographed by Hook...
...very technical and dance-y, and that’s my passion,” she says. “We come from different places in approaching the movement. She’s shaped my dancing a bit. I tend to be more rigid as a mover, and Sara has brought in a little more depth.” Erika Randall agrees: “Even when you work alone, she’s in your head...