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Rape, like drama, is an eruptive act; it may detonate in slumberous surroundings. In Extremities, the curtain rises on a drowsy afternoon in a farmhouse somewhere between Trenton and Princeton, N.J. Marjorie (Susan Sarandon) is lolly-gagging about the living room in a bathrobe. Her two roommates are away at work and she is watering plants and feuding with insects...

Author: /time Magazine | Title: Theater: Hand Grenade | 1/3/1983 | See Source »

...planned to violate and kill you, is eye-for-an-eye justice immutable or does the common bond of humanity invoke mercy? First to last, Extremities holds the playgoer transfixed. Robert Allan Ackerman directs all the scenes like hand grenades with the pins pulled, and James Russo and Susan Sarandon, in particular, lob them with precision. -By T.E. Kalem

Author: /time Magazine | Title: Theater: Hand Grenade | 1/3/1983 | See Source »

...doesn't love his wife. He knows he doesn't know his daughter. He wants to find his identity again. So he dumps his woman, takes his kid and heads for the Mediterranean homeland of his fathers. Along the way, he picks up an oversized wanderer named Aretha (Susan Sarandon) whose greatest claim is her ability to sing Jewish folk songs in both Hebrew and Greek. By the end of his 18-month trek, and Mazursky's film. Phillip seemingly reclaims himself. Alas, he does so by means unrevealed to the movie's audience, who watch him sitting contented...

Author: By L. JOSEPH Garcia, | Title: In a Teapot | 9/29/1982 | See Source »

...without quite understanding his paternal possessiveness of her. His rage expresses itself in sudden lightning storms that streak the Manhattan skies and act as the mysterious percussion to the mad music inside his head. Off he goes to Greece, where he finds an earthbound Ariel (the sweetly sensible Susan Sarandon), and finally to his dream isle, where he gets to play semibenevolent despot over his Miranda, his Ariel and a randy goatherd named Kalibanos (Raul Julia...

Author: /time Magazine | Title: Cinema: Comic's Demons | 8/16/1982 | See Source »

Ophelia's brother Laertes is usually considered to be an Angry Young Man. But since this label has been commandeered by Walken's Hamlet. Chris Sarandon's Laertes has chosen to take on Hamlet's customary poetic sensibility. Sarandon displays the vocal virtues that were evident in his Prince Hal a few weeks ago. His Laertes is beautifully spoken, with plenty of variety and modulation. Yet he can summon up power when demanding of the King where his father Polonius is (even threateningly laying a sword on the King's shoulder), or when voicing his eagerness to engage Hamlet...

Author: By Caldwell Titcomb, | Title: A 'Hamlet' Without the Prince | 8/10/1982 | See Source »

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