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...materialism, Courbet was one of the ancestors of cubism. But his sense of reality extended beyond material, to social organization; hence the storm over A Burial at Ornans. In that black frieze punctuated by village faces, all held under the chalk bluffs of the distant landscape as beneath a sarcophagus lid, Courbet realized a whole rural society: not "noble peasants" mourning in a generalized Arcadia, but real people. The painting revealed, in country life, the same kind of bourgeois complexity that existed in the city. This contradicted the Parisians' idea of rural harmony and was, for that reason, shocking...

Author: /time Magazine | Title: Art: Courbet: Painting as Politics | 12/5/1977 | See Source »

...reader as having been embalmed for a thousand years. They are not unbelievable--it is merely difficult to understand why Drury would ever have bothered to resurrect this hedonistic, simple-minded Pharaoh and his sycophantic friends. The dialogue, moreover, could only have been overheard coming from inside a dusty sarcophagus. Like the stiff-jointed and forbidding statuary that is ancient Egypt's gift to the world's wealthier art collectors, Drury's characters never bend or smile--they simply stare straight ahead at the endless desert of a plot the author has created for them...

Author: By Francis J. Connolly, | Title: A Broken Record | 3/21/1977 | See Source »

...successor to Chairman Mao Tse-tung had been chosen came in a Hsinhua communique last week on the disposition of Mao's body. Capping a month of mourning, China's official news agency announced that the body of the Great Helmsman would be enshrined in a crystal sarcophagus in a mausoleum to be built in Peking. It was also noted that Mao's complete works would be prepared under the leadership of the Politburo, "headed by Comrade Hua Kuo-feng." It was the first time that Premier Hua had been referred to in Peking as chief...

Author: /time Magazine | Title: CHINA: Hua Succeeds the Great Helmsman | 10/18/1976 | See Source »

...nucleus of ritual objects meant to serve the dead man in his next life, immured at the center of a transparent pyramid. Only a mummy is absent, but the eye of an irreverent visitor may easily stray to the center of the sunken atrium, half expecting to see a sarcophagus. Roche-Dinkeloo's design is elegant, icy and inflated. Lehman agreed that the new wing should have almost the same proportions as the Met's Great Hall - thus ensuring a large abstract monument to himself - but he also wanted to commemorate his way of life with the period...

Author: /time Magazine | Title: Art: Treasure and Trespasses | 5/26/1975 | See Source »

...universalizing archaism (there are no bombs or guns, only a broken sword; the most modern image in the painting is an electric light, which is also the most ancient, for it becomes a pitiless Mithraic sun) belong more to the world of the Greek pediment and the Roman battle sarcophagus than to that of the Kondor Division, whose bombs demolished Guernica. But it remains a passionate and epic work, and it was Picasso's sole politically effective gesture. The best comment on Picasso's later (and continuing) role as a painter laureate to the French Communist Party, which...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

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