Word: sarge
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...whiff of degeneracy here and there in the proceedings but it is innocuous, like mold on cream cheese. Pale Eva LeGallienne, mistress of the Civic Repertory, has entrusted the piece to Director Egon Brecher, a quizzical associate of long standing. He handles play and players in the Tony Sarg manner. The entire cast jerk and jostle through the gleeful evening like life-sized marionettes, with a giddy promptness that makes it seem as though all were improvised. Miss LeGallienne is paradoxically absent from the cast; Mr. Brecher, providentially, present. Storm Center is an inconsequential little farce about a married couple...
...Club 218 Huntington Avenue. This company of Yale undergraduates spends its summers carrying itself and its stock of puppet actors and actresses around in Ford trucks, cruising from place to place in the New England states, giving entertainments at summer colonies. Performances similar in tone and appearance to Tony Sarg's Marionettes are given with a series of scenes of variety and humor. Miniature sketches of a full orchestra, with a nine inch Koussevitsky conducting, a tiny Paderewski playing a grand piano less than a foot above the floor, and the Old Testament, provide the student entertainers with their material...
Artists invited to compete were: Maxfield Parrish, Rockwell Kent, Albert Sterner, Tony Sarg, Arthur B. Davies, George W. Bellows, Robert Henri, William and Margaret Zorah...
Maxfield Parrish, Rockwell Kent, Albert Sterner, Tony Sarg, Arthur B. Davies, George W. Bellows, Robert Henri, William and Margaret Zorach are among the artists who have been asked to enter in a competition for a "peace Christmas card" to foster international cooperation to prevent war, under the auspices of the National League of Women Voters. The best design will be chosen in January by a committee including Charles Dana Gibson, Joseph Pennell, Mrs. Harry Payne Whitney. Three prizes of $500 to $2,500 will be awarded. The card will be put on sale for Christmas...
...gave Frank Brangwyn, the great etcher, a chance to exhibit his powerful lithographic epics to millions. He placed before the public G. Spencer Pryce's impressive studies of the life of the poor and the working classes. But he used with equal tolerance the irrepressible creations of Tony Sarg, MacDonald Gill, E. A. Cox, humorists; and the beautiful nature studies of Fred Taylor, F. Gregory Brown, E. Mc-Knight Kauffer, inviting the weary cityman to rural shires. Some of these men, now recognized as the foremost poster artists in England, got their first big chance on the Underground...