Word: sargent
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Dates: during 1930-1939
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From his busy little office in Boston, salty old Porter Sargent, whose sharp eyes and ears miss very little that is written or said about U. S. education, last week issued his annual report on the state of the nation's biggest business.* Mr. Sargent, prefacing the 23rd edition of his famed handbook of private schools with a 160-page sound-off,† found the state of education more than normally alarming. During the year private schools, for example, were sharply criticized-luxurious Lawrenceville's Headmaster Allan V. Heely went so far as to call them an expensive...
This year resilient Oldster Sargent had most fun parading the folklore of U. S. education. Most fantastic folkway, lie found, is commencement, "the greatest folk festival the world has known." Counting graduates, mothers, fathers, sisters, cousins and aunts, some 25,000,000 U. S. citizens take part in this festival each June
...custom whereby alumni wear exhibitionist costumes at commencement reunions originated at Yale. Mr. Sargent found. "The depth of puerility," said he, was reached at Harvard's '38 commencement, when some alumni marched in barrels as economic royalists...
Caps and gowns (which became academic garb when they were prescribed for medieval scholars to cover their rags, are still worn daily at such places as Oxford and Fordham University) came into fashion at U. S. commencements soon after the Civil War, Mr. Sargent reported. Today an elaborate code, to which 95 schools and colleges adhere, governs the gowns' sizes, colors, materials. Black is for liberal arts graduates, white or grey for high school, blue for normal school, pink for music, lemon for library science, silver-grey for oratory, maize for agriculture. Harvard has its own code, uses varicolored...
...customary assurance that any resemblance to fact is purely "coincidental." This legal formula has never rung more hollowly. The picture chronicles the rise of Mammy-Singer Al Jolson, renamed Ted Cotter and played by Al Jolson. Ted's good friend in the picture is one Rose Sargent (Alice Faye), a Ziegfeld star whose worthless husband (Tyrone Power) besmirches her name by fleeing justice after he becomes involved in a bond scandal. Rose vows her loyalty and, by sobbing out from the Ziegfeld stage the song My Man, persuades her husband to give himself up, plead guilty and take...