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Word: sargents (lookup in dictionary) (lookup stats)
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Usage:

Liotta: Yeah, when you have a guy who has won two Academy Awards writing [screenwriter Alvin Sargent, who won Oscars for Ordinary people and Julia], you don't want to mess with his words too much. If anything, the things that might not have been there are the connections that Tom [Hulce] and I had. But we pretty much worked with the words throughout. There might have been some ad-libbing here and there. It was more our relationship that brought those words to life...

Author: By S. W, | Title: INTERVIEW | 3/25/1988 | See Source »

...following year. Edward R. Sargent '34, George H. Hartford '36 and Richard W. Gilder '34 sparked the Crimson to a 3-2 triumph over the Tigers...

Author: By Michael J. Lartigue, | Title: A Classic Rivalry | 2/5/1988 | See Source »

Bloom was in fact a shrewd art investor. He bought paintings by Edward Hopper, John Singer Sargent, Mary Cassatt and Willem de Kooning. Among the most expensive: Thomas Wilmer Dewing's Lady in White (worth $750,000) and John White Alexander's Alethea ($660,000). Says Loraine Pack-Liebmann, a Manhattan art dealer: "The kid did well. Many of the works he has bought have appreciated substantially in value." Example: Severin Roesen's Vase of Flowers in Footed Glass Bowl with Bird's Nest, purchased for $175,000, may now be worth $250,000, a potential profit...

Author: /time Magazine | Title: The Whiz Kid Who Wasn't | 1/25/1988 | See Source »

...handle the drawings of your favorite artists. Large blue folders will be handed to you and you alone. They're much more interesting than the average doodles you have so much opportunity to observe in your sections. And just think of the opportunities they offer for polite conversation. "Sargent," someone will say, and you will be able to reply, "well, the last time I was handling his drawings..." You have to admit it sounds good...

Author: By Ellen J. Harvey, | Title: Foggy Days In Cambridge Town | 11/30/1987 | See Source »

...best, Nuts is a picture that has much to say about the corrupting power of possessive love. But as adapted for Streisand by Tom Topor and veteran Screenwriters Darryl Ponicsan and Alvin Sargent, it too often surrenders to the banalities of its genre. For Nuts exemplifies one kind of Hollywood high-mindedness: the "I'm O.K. Because Society Says I'm Not O.K." movie. The protagonist is not insane, merely misunderstood by those who impose rules she refuses to play by. Every time an authority figure declares she is incompetent, her sanity is supposed to be affirmed. This...

Author: /time Magazine | Title: Cinema: Lovelorn, Headstrong | 11/30/1987 | See Source »

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