Word: sarita
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Hoffmann's second failure at love is with the delicate, aria-singing, harpsichord-playing Antonia (Sarita Cannon), the damsel with a voice as clear and melodic as that of her dead mother, whose enormous portrait looms in the family's salon. The only problem is that Antonia's gift is killing her: if she continues to sing, the strain will destroy her. Benaim fills the role of the malevolent physician Dr. Miracle who also arranged the demise of Antonia's mother, urging the daughter to sing and sing until she is prostrate, dying on the davenport, still belting out Hoffmann...
...rest of the council to follow the trend. --The Coalition of Student Leaders for U.C. Reform and concerned supporters: Joshua D. Powe '98, Coalition Organizer; Derrick N.A. Ashong '97, President BSA; Sharon W.S. Gi '98, Co-Chair AAA; Sewell Chan '98, Co-Chair AAA; Sarita M. James '98, Co-Chair SAC; Jessy J. Fernandez '98, Co-Chair MSA; Devi Sengupta '98, Co-Chair MSA; Helen A. Skinner '98, Pres. Expression Dance Co.; Celia S. Edwards '99, Vice-Pres. Expression Co.; Mallar Bhattacharya '98, Co-President SAA; Clem A. Pollydore '99, Co-Chair Caribbean Club; Andres R. Nolasco, Co-Chair Fuerza...
Nailah P. Robinson '98-'97 and Sarita James '98 were elected co-chairs of the committee on Tuesday morning...
...fund does work for some, like Sarita N. Cannon '98. "I probably wouldn't be able to take lessons without it," the singer says...
Certainly the plot of "The Marriage of Figaro" requires a tongue-in-cheek approach; on paper, it is the kind of convoluted intrigue that gives opera a bad name. Figaro (Brian Saccente), valet to the Count Almaviva (Josh Benaim), is about to marry his sweetheart Susanna (Sarita Cannon), but the Count also has his eye on her. Although the Count has abolished the droit du seigneur, which traditionally allowed the lord to deflower any bride on her wedding night, he is tempted to revive it in Susanna's case. Though a philanderer, the Count is fanatically suspicious of his innocent...