Word: sarno
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...thing; painting on the streets of Naples requires a different kind of courage. "This is under control of the clan," says one local, nodding toward the mounds of illegally dumped trash being rendered iconic by Liu beneath the exit ramp of State Highway SS162. "It's the Sarno family: they say yes or no if this gets cleaned...
...black hull of Shosholoza - named after an old work song from the mines - is emblazoned with bright African motifs. Nearly one-third of the sailors are nonwhite. "We want to show that South Africa is a country that can conceive of the construction of a racing machine," says Salvatore Sarno, the businessman who mounted Shosholoza's challenge. "It's a country where different races, different cultures can work together, challenging the top countries in the world." After the 1996 Atlanta Olympics, Ainslie took a job as a high school teacher in the navy village of Simon's Town. There...
...title promises something wicked. But '60s sexploitation auteur Joseph W. Sarno (Moonlighting Wives, Sin in the Suburbs) was more interested in the grim wages of sin than in its appealing depiction; this New York writer-director was the Zola of the back streets. His first feature, which he directed in 1963 under the name Anthony Farrar, is a beguiling mix of no-nudity eroticism and supernatural baloney; an aging stripper (June Colbourne) uses an amulet to work her power on men. It doesn't matter that the actors are not especially attractive, because the movie is about people who, like...
...Dame Judi Dench in her unbuttoned youth - not to mention early Kelly Preston and middle-period Linda Blair - these are the places to scratch. Studying these photos may seem infra dig to my classier readers. But if doctoral students can prepare dissertations on 60s soft-core directors like Joe Sarno and Doris Wishman (and they do), then it makes sense to drop the persiflage and admit that beautiful women are worth looking at ... again, I insist, for research purposes only. Obsession, after all, is just scholarship without the school...
...reality was far more industrial. Four large concrete buildings, flanked on both sides by loading docks, were surrounded by big-rig trucks. Names such as “A. Sarno & Co.,” “D’Arrigo Brothers” and “Marco Tomato” were the only decorative flourishes. Getting out of the car, I stepped into a pile of lychees that had seen better, fresher days. The stench of rotting tomatoes that littered the ground nearby was, shall we say, aromatic...