Word: saroyan
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Dates: during 1960-1969
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...Dollar Theater people came closer to success with William Saroyan's melodramatic Hello Out There. Apparently a Texas jailhouse is easier to relate to than the Flemish de Ghelderode's fantasies...
...Saroyan's version of boy meets girl seems sticky, but this production directed by Michael Cline could have given more insights into the characters as three-dimensional people. At least Saroyan makes the point that provincial Texas towns are best gotten out of before sundown...
...judge by these anthologies, concretism is longer on juxtapositions and fragmentations than it is on meanings. Aram Saroyan's Blod, in its entirety, goes like this...
...nage à Quatre. An autobiographical mood-and-memory piece, the play's setting is a cheerless gin mill somewhat reminiscent of the bar in Saroyan's The Time of Your Life. The narrator hero (Warren Berlinger) recalls how from earliest childhood he had been brought to the bar night after night by his mother (Betty Garrett), who is driven by a masochistic thirst to watch her butcher husband (Warren Gates) while away the evenings with a waitress floozy (Peggy Pope). In her firmly devoted way, the mother believes that the boy should get to know and understand...
Visual Haiku. Signing can be awkward and slow-paced in plays that depend heavily on dialogue, such as Saroyan's The Man with the Heart in the Highlands, which leads off the current show. But the medium is perfectly suited to such stylized theatrical forms as the Kabuki play The Tale of Kasane, which the group performs with the flow and precision of fine ballet. The company's most striking performances are its "recitations" of poetry. Through such simple gestures as twisting her fingers over her heart to show grief, stunning Audree Norton manages to evoke...