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Word: saroyans (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...normally a William Saroyan fan, but I have to admit that he has outdone himself in writing The Cave Dwellers, which enjoyed a good run in New York this season. The play is a semi-realistic allegorical fantasy--sunny, warm and moving, especially in the second...

Author: By Caldwell Titcomb, | Title: Boston Arts Festival Called General Success | 6/30/1958 | See Source »

...proletariat, gave a group of Washington, D.C. actors a spasm of comment on his own class: "I've never known a good writer who observed anyone but himself. Megalomania is one of the prime requisites of being a good writer. Writers write out of different convictions. For example, Saroyan believes life is beautiful. That's a hard message to get over in a recession...

Author: /time Magazine | Title: People, may 19, 1958 | 5/19/1958 | See Source »

...lovefest came as a complete surprise to Atkinson, an inveterate party-dodger, who was lured to the restaurant by his author-wife, Oriana. The "sentimental works," as Variety called it, included a citation from Actors Equity, encomiums from such absent admirers as William Saroyan and Clifford Odets, and a letter in which choleric Irish Playwright Sean O'Casey grew moist-eyed over Critic Atkinson's "splendid defense" of the theater "throughout the times of many great events, alarums, sennets and disputes...

Author: /time Magazine | Title: The Press: Blowout for Brooks | 3/17/1958 | See Source »

...often wholly delightful, alternating an actress' skill with a vaudevillian's liveliness. Richard Burton plays a prince who is more bored than bereaved with a fine sullen dash; and his verbal aria on how sad it is to be rich is far more piquant than anything of Saroyan's on how jolly it is to be poor. Susan Strasberg makes a very pretty but monotonous-voiced milliner, and Sig Arno a capital headwaiter...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Nov. 25, 1957 | 11/25/1957 | See Source »

Theatrically, it would not matter if Saroyan wrote first with an eraser−to wipe out reality−if afterwards, with a pen, he created magic. But this play has little magic: only a stab of pathos, now and then, in a wilderness of plight; or a flash of color, humor, poetry amid constant murmuration...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Oct. 28, 1957 | 10/28/1957 | See Source »

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