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Following this, and also directed by Ken Sateriale, is Saroyan's The Ping Pong Players which is best glossed over. Nick Fuller and Miss DeMott do an adequate job with what is at hand, but as Saroyan states, it is a trivial play about trivial people. An attempt at fancy, it is artificial and drab...

Author: By Helen W. Jencks, | Title: Love...A Bizarre Evening | 5/21/1965 | See Source »

...Saroyan failure matters scarcely at all, however, because the final piece, Garcia Lorca's The Love of Don Perlimpin for Belisa in the Garden, is nearly perfect. It is utterly compact; the depth and the texture of the fantasy are established in the first moment by a lute, by Joseph Ingelfinger's clever valentine set, and by the action of the two sprites who manipulate players and audience. There is no trace of strain in Lorca's imaginative forays; he evokes intense and genuine emotion without fighting against the unreal setting of the theatre. But because the play recognizes...

Author: By Helen W. Jencks, | Title: Love...A Bizarre Evening | 5/21/1965 | See Source »

...also a member of the ménage in the Brooklyn Heights town house shared by W. H. Auden, Benjamin Britten, Carson McCullers and Richard Wright. Smith was the dishwasher and furnace man. He also thought he was a painter. His first show, if little else, attracted William Saroyan, who instantly commissioned Smith, then 23, to design his Beautiful People for Broadway...

Author: /time Magazine | Title: Broadway: A Man for All Scenes | 3/19/1965 | See Source »

...basement nightclub, "Catacombs 65" (from the church's address, 65 Quai d'Orsay), waiting to drink coffee or lemonade and hear young singers and musicians. In another adjunct of the church, its 300-seat theater, the professional Paris Theater Workshop-whose advisers include Jean Seberg and William Saroyan-presents Sartre, Beckett and Albee as part of "Open End," a freewheeling series of dramas, concerts and discussions...

Author: /time Magazine | Title: Clergy: A Reach for Young Rebels | 1/22/1965 | See Source »

...Saroyan calls Talking to You "one of the many dreams of one man of our time." The dreamer evidently has a prosaic fantasy-life: the play turns our to be a straightforward polemic against a gallery of standard evils--hatred, social injustice, fate, racial prejudice. Blackstone, a gentle Negro heavyweight, can't kick the habit of goodness in spite of the suffering whites inflict on his race. Tiger, the blind man who wishes he were "better dreamed," and Fancy Dan, an embittered ex-convict, take their knocks with less dignity. "A little love somewhere is better," counsels Saroyan; "too much...

Author: By Eugene E. Leach, | Title: Saroyan and Pinter | 10/21/1964 | See Source »

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