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Word: sarrazin (lookup in dictionary) (lookup stats)
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...works variously as gold prospector, nightclub manager, fireman, bush-league dentist, commercial shrimp fisherman. More than 20 years pass. It is 1967. He is over 60 now, and down on his luck. He reads a book of prison memoirs by an Algerian-born lady ex-con named Albertine Sarrazin. Hastily, he buys 13 school notebooks. In a few months, apparently with near total recall, he scribbles Part I (1931 to 1945) in longhand and mails it to Sarrazin's editors in Paris. Called Papillon (what else?) and barely touched by an editor's pencil, it sells...

Author: /time Magazine | Title: Books: Travels with Papi | 9/14/1970 | See Source »

...fifth marriage (dear Father, he will ever be the child). He tempted me with tales of a dazzling young American named Gregory. So off I went to Geneva, In Search of Gregory. Outside the airport I saw a poster of an exquisite autoball champion. He was Michael Sarrazin, that soulful boy in They Shoot Horses, Don't They?, so I knew that he must be Gregory. My darling brother Daniel, who still refuses to leave the villa and who still adores me so suffocatingly, poor thing, told me the most delicious stories of Gregory's mad escapades. Gregory...

Author: /time Magazine | Title: Cinema: Autistic Nonsense | 6/22/1970 | See Source »

...share the screen with a performance like this, and it is not surprising that most reviewers have talked about Jane Fonda to the exclusion of everything and everyone else in They Shoot Horses. Yet, the rest of the cast, in far less meaty roles, cannot be faulted. Michael Sarrazin, as Gloria's partner, and Susannah York, as a peroxide blonde, silk-gowned contestant hoping to be discovered by film directors, are relentlessly pathetic in their non-aggressive acceptance of their fate. So are Red Buttons, as a war veteran who hasn't found an inroad back to society...

Author: By Frank Rich, | Title: The Moviegoer They Shoot Horses, Don't They? | 3/3/1970 | See Source »

...reason why the marathon works so well as a context for American sickness is the ferocity with which director Pollack has depicted it. Some shots-the faces of the tortured contestants as they run two "derby" races during the marathon, a juxtaposition of Sarrazin and a trashcan with a surreal beachscape, the reflection of Susannah York's delirious face in a shower head-knock you over with sheer force. The depression-era detail (posters for Grand Hotel and band music like "The Best Things in Life are Free") and the editing (often utilizing sound cues such as sirens and gunshots...

Author: By Frank Rich, | Title: The Moviegoer They Shoot Horses, Don't They? | 3/3/1970 | See Source »

...Horses, Don't They? is a strenuous attempt to make that marathon a metaphor for man's fate. The contestants are the populace of a wasted nation. One girl, Ruby (Bonnie Bedelia), is pregnant. Gloria (Jane Fonda) is a brassbound bitch from the Dust Bowl. Robert (Michael Sarrazin) is an open-faced kid from a farm. Sailor (Red Buttons) is a Navy veteran whose ship has gone out. The man running the marathon-and carrying the movie-is a dime-store Barnum named Rocky (Gig Young). The son of an itinerant faith healer, Rocky has read the book...

Author: /time Magazine | Title: Cinema: Marathon '32 | 12/19/1969 | See Source »

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