Word: sarrises
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While his colleagues became directors whose names were dropped at the better cocktail parties in London, New York City and Tokyo, Rohmer trudged along at the magazine and made shorts and feature-length pictures that got little notice. My Night at Maud's changed that. The soufflé-light, dialogue...
In a famous 1957 essay, "Underground Films," Manny argued that "the true masters of the male action film - such soldier-cowboy-gangster directors as Raoul Walsh, Howard Hawks, William Wellman, William Keighley, the early, pre-Stagecoach John Ford, Anthony Mann" - deserved a higher place in the cinema canon than the...
At a lunch Manny had in 1977 with Film Comment's associate editor Brooks Riley and me, Manny allowed that, yes, he might be thought of as one of the 10 best film critics... Always competitive, and this time underestimating his worth. (A quick list of nine others, without overthinking...
Critically, too, Dassin was up and down, and then out. He was the first blacklisted director to earn a secure reputation in European films, and under his own name. (Another American exile, Joseph Losey, was making films under pseudonyms.) When the young critic Francois Truffaut saw Rififi, he wrote, "From...
These are the existential blahs that critic Andrew Sarris called "Antoniennui." For audiences unable to get on the director's wavelength or into his measured rhythm, seeing his characters suffer in slow motion was like watching paint dry. Movies were supposed to move, not slouch against a wall, and the...