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What hath Sarris wrought?

Author: By Michael Sragow, | Title: Auto-Eroticism Confessions of a Cultist | 12/12/1970 | See Source »

Well, with the help of others like the febrile Mr. Byron, who reviewed Sarris's latest tome in adulatory terms in the New York Times Book Review, Sarris has legitimized the auto-erotic school of film criticism. What is looked for in a film is the indelible signature of a...

Author: By Michael Sragow, | Title: Auto-Eroticism Confessions of a Cultist | 12/12/1970 | See Source »

Among the "classics" canonized in Confessions of a Cultist are Aldrich's Whatever Happened to Baby Jane? Sergio Leone's spaghetti westerns, Hitchcock's The Birds, Preminger's Advise and Consent. All are auteur genre items; Sarris rarely has the flexibility of such British auteurists as Raymond Durgnat to admit...

Author: By Michael Sragow, | Title: Auto-Eroticism Confessions of a Cultist | 12/12/1970 | See Source »

WHAT, then, gives the Sarris brand of auteurism its especially attractive quality?

Author: By Michael Sragow, | Title: Auto-Eroticism Confessions of a Cultist | 12/12/1970 | See Source »

Second, it puts even the most timid of souls into an anarchic critical position of imagined danger. Sarris continually rants and raves against the "literary critical Establishment." He also bears a curious, love-hate relationship with the motion picture viewing audience, scolding an "out" director like Huston for attempting to...

Author: By Michael Sragow, | Title: Auto-Eroticism Confessions of a Cultist | 12/12/1970 | See Source »

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