Word: sars
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Papa César founded the Paris hotel whose name became a synonym for class. Mama Mimi, after her husband's death, boarded Nazis during the Occupation, keeping the Allies posted on their travels. Last week Charles Ritz, 72, now Chairman of Paris' Ritz, flew to Manhattan to check into the strategies of Europe's latter-day invaders. He sampled a $90-a-day suite at the New York Hilton, ran his finger over the moldings, ordered snacks in from room service (usually in the wee hours), and emerged from his experiment reassured. "The Hilton is good...
...Lord Sebastian Flyte, in Brideshead Revisited >Arthur Evelyn St. John Waugh is a Tivian with a lifelong and unswerving Hatred of the 20th century's industrialized, democratized ways. From his first irrespressibly comic, murderously sar-comic novels (Decline and Fall, Vile Bodies), most of Waugh's books have vad as their real subject the loss of a golden age. Looking back, the Oxford Vlnd Mayfair targets Waugh satirized in Viene '20s and '30s have largely vanished, Baking with them half the early novels' Viumor but leaving the rage intact. After World War II he suddenly...
Many recent sculptors-Chamberlain, Stankiewicz, César, for example-have plundered the scrap heap for its rusty riches. Their assemblages look back on Marcel Duchamps' "ready-mades," or store-bought hardware, and Picasso's "found objects." Paolozzi also once combined bits of cameras, clocks, toys and bombsights into figures that looked like archaic idols or, as he said, "the fetishes of a Congo witch doctor." Now his work sets up a more modern paradox between engineering and art, and his breakaway from traditional values has made him spiritual uncle (where Henry Moore is spiritual father) to younger...
...accomplish all this, the movie adopts from the outset an air of unreality. It begins as a silent movie, and uses throughout a collection of cinematic tricks--characters addressing the camera, stopped action ,sar-castic narration--to preserve this sense of unreality, in which absurdities are not only acceptable, but common place...
From a man who saw Brahms plain and studied under César Franck came a dirge for modern music. Asked by a London newsman which 20th century composers seemed likely to stand the test of time. Paris-born Maestro Pierre Monteux, 86, flatly replied: ''I don't see any, except perhaps Stravinsky." In a tart catalogue of inadequacies, the peppery new conductor of the London Symphony went on: "Mahler, he won't live; he's an imitator. Prokofiev, I don't think so. Shostakovich, no. Hindemith, no inspiration. Bartok: I give...