Word: sarto
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Dates: during 1930-1939
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...majority on display were by expert Flemish and Dutch draftsmen of the 16th and 17th Centuries: Nicolaas Berchem, Phillips Wouwerman, Willem van Bemmel, Jakob van Ruysdael, Rembrandt, Rubens. Among the paintings which had been cleaned off and hung decently were a Madonna by Andrea del Sarto, portraits by the Elder and Younger Lucas Cranach, a panel by Pieter ("Hell") Breughel, works of Poussin, Van Dyck, Guido Reni, Durer, Tintoretto...
...exhibits at the Century of Progress (TIME, May 29, 1933; June 11, 1934). Director Milliken's most resounding brag last week was that 28 of his pictures had never before been exhibited in the U. S., including those by Titian, Raphael, Bellini, Lotto, Veronese, Tintoretto, Andrea del Sarto, Holbein, Rembrandt, Terburg and Henri-Julien Rousseau's famed Night of the Carnival, "one of the greatest sensations of the modern age." All will stay in Cleveland until...
...Siena declined in art and war, Florence grew great. Transition painter in Cleveland's show is Lorenzo Monaco, Siena-born, Florence-bred. He was followed by a virile stampede of topnotch Florentine painters : Filippo Lippi, Piero di Cosimo, Andrea del Castagno, Fra Angelico, Andrea del Sarto, all at Cleveland and all masters of form who had graduated from the childish mysticism of the Gothic. In Venice and Genoa, however, the Gothic spirit hung on a little longer in the magical paintings of Crivelli, Lotto, Magnasco and Strozzi. Lotto's Pieta is one of Cleveland's most striking...
...liqueris gallice? Ergo non es papabilis, siquidem papa debet gallice liqui." "Verum est, Eminentissime Domine. Non sum papabilis. Deo Gratias." The Patriarch of Venice, who spoke no French but in Latin thanked his God that on that account he was not eligible to become Pope (papabile), was Giuseppe Sarto. Few days later he was chosen Pope, taking the name Pius X. Theologically Pius X's greatest work was his encyclical Pascendi which demolished the then dangerous Catholic movement toward Modernism. Vainly attempting to stave off the War, he died soon after its beginning, has been called its first victim...
...selection of drawings touches great names an types in this field. Typical of the Florentines are the figures by Fillipino Lippi and Andrea del Sarto; of the Venetians, a boarded head by Carpaccio. Among the Germans are two Durers, and a follower of Holbein. The French are represented in their classic vein by the revered Claude and Poussin, in their elegance by Watteau and Fragonard...