Word: saskia
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...thirds of the purchase price, which gives it full possession. By order of the mayor, this week is "Rembrandt for Denver Week." The painting was done around 1632, one year after Rembrandt moved to Amsterdam. He took lodgings with a gentleman named Hendrick van Uylenburgh, whose orphaned young cousin Saskia charmed him. Saskia was of patrician background (her father had been a burgomaster), but the miller's son from Leiden successfully wooed her, and the two were married in 1634. Rembrandt painted Saskia several times, often in the role of a mythological heroine. As in many of his early...
...Then Saskia died, and that same year Rembrandt suffered a professional calamity. He painted on commission The Shooting Company of Captain Frans Banning Cocq (better known as The Night Watch), in which he infuriated many of the patrons by hiding them in his brilliant interplay of shadows. After that, Rembrandt was to know bankruptcy and the death of one loved one after another, including his only son. The years of tragedy were upon...
...accompaniment of music and brilliant conversation; his Venuses were meant to grace Olympian festivals. Rembrandt, whose parents saw to it that he got a good Latin-school education, plus a taste of university life, preferred the company of his sturdy Dutch countrymen. He once chose to paint his bride Saskia in the trappings of classic mythology, but the result (opposite), now owned by Leningrad's Hermitage, is basically a plain young Dutch girl, garlanded with field flowers and dressed in the rich, show-off satins and brocades that so delighted Rembrandt at Amsterdam's public auctions...
Beset by adversity, Rembrandt retreated even farther into his Bible, using his son Titus and his Jewish friends as models. Among his favorites was Hendrickjke Stoffels, the simple peasant family maid whom Rembrandt made his mistress after the death of Saskia. His Bathsheba, for which Hendrickjke posed, is ranked as one of the greatest nudes in Western art, not because of her classic beauty (in fact, Hendrickjke was squat and dumpy), but because of the unsparing yet loving eye Rembrandt cast on her flesh, recreating it against the rich fabric background. Result: a study of the quiet inner resignation with...
Photographs on exhibition show the help given by the X-ray in determining whether certain paintings are the work of Rembrandt or of his pupil, Ferdinand Bol, who studied under the master from 1635 to 1641. On one disputed picture, a portrait of "Saskia," the shadow graphs indicate that the underpainting is probably the work of Bol, while the final surface painting is probably by Rembrandt. X-ray evidence shows that several paintings, once attributed to Rembrandt, may really prove to be the work of Bol, whose underpainting is cruder and less decisive than the master...