Word: sassoon
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Thank you for telling us (TIME, Oct. 30) what the English poets who were the youth of 1914 are doing under the impact of the new war. Would it be possible to elicit a statement of their present mental attitudes from Sassoon and Graves? They are of the tried troops of both action and thought, at once brave soldiers and honest men. It is appropriate to recall that Sassoon in 1917 made a public protest against the prolongation of the war in the following words...
...nothing to say, Siegfried Sassoon and Robert Graves, but their silence was eloquent. As frontline officers between 1914 and 1918, their experiences with the universal human activity gave rise to the two straightest and grimmest accounts of World War I produced in England, respectively Memoirs of an Infantry Officer and Goodbye to All That. Last week Sassoon was in seclusion; Graves had volunteered again...
Grey's spunkiness delighted rich Jewish Banker Ellice Victor (later Sir Victor) Sassoon, inveterate flying bug, who agreed to back him in a new aviation magazine. In June 1911, Editor Grey brought out the first issue of The Aeroplane. Through several changes of management, many a near-fatal slump, he held the editorial chair. Lately, under the aegis of Temple Press, the magazine boomed...
England. Twenty years ago a genial Englishman named John Collings Squire, parodist, poet and expert cricketer, launched The London Mercury. Its main aim was to publish poetry, especially the work of his friends, Robert Bridges, Robert Graves, Siegfried Sassoon. Well-printed, heavy, smooth, The Mercury was appreciated by poets because Editor Squire, if badgered awhile, paid real money for poems. The Mercury's eminence grew with well-phrased reviews, contributions by Hardy, Conrad, Shaw, Chesterton, essays on town planning, transport, education. But its circulation stayed around 4,000, disappointing Editor Squire, who once gave his credo...
...prefer," says Sassoon, at 52, "to remember my own gladness and good luck, and to forget, whenever I can, those moods and minor events which made me low-spirited and unresponsive." His happy memories are really a tribute to the optimistic spirit of upper-class Englishmen's pre-War world. That spirit Siegfried Sassoon conveys exactly. Defending it, The Old Century is his testament that the worst that can happen in peace is idyllic compared to the best that can happen...