Word: satchel
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Dates: during 1930-1939
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...unusual, difficult, beautiful physical effects can be managed with the sound and color cinema in its present phase of development, Mr. Anderson has brought off successfully, brilliantly. Miniatures have been juxtaposed with full-sized sets in technicolor, as when Whiteman carries his whole band onto the stage in a satchel. Later the normal-size orchestra plays on top of a monster piano. There are sets that spring, completed, out of the floor, in time to notes of music. There are deep romantic backgrounds of Maxfield Parrish blue, ballets in the warmest, though slightly blurred, pastel tints yet achieved in technicolor...