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...midweek, the U.S. jazzbos - Satchmo, Stewart and Milton ("Mezz") Mezzrow - had won the wildest ovations. By comparison, the polite jazz of the Swiss, the Belgians (who went in for bebop) and the British got only polite applause. But the festival's local wonder was an un known young (24) French clarinetist named Claude Luter. When Claude blew out Canal Street Blues and High Society and one of his own called Abouche, sentimental Drummer Baby Dodds (whose late brother Johnny played clarinet with King Oliver) said tearfully: "That kid is terrific. I'd almost think Johnny was playing...

Author: /time Magazine | Title: Music: Nice Jumps | 3/8/1948 | See Source »

...power that any person who wants to play any instrument for profit must be a member of his union-or just play for his friends. This means everyone from Spike Jones, whose City Slickers would rather murder a tune than play it, to Concert Violinist Joseph Szigeti; from Louis ("Satchmo") Armstrong, the king of swing trumpeters, to Susan Reed, who plays a polite zither in nightclubs. Arturo Toscanini is an honorary member but other symphony conductors, like the men in their orchestras, are obedient members of Petrillo's union...

Author: /time Magazine | Title: LABOR: The Pied Piper of Chi | 1/26/1948 | See Source »

...days before the opening, the boys had gotten together just to get the feel. Satchmo had warmed up, as usual, on a few bars from Mascagni's Cavalleria Rusticana, then for an hour they had lazed through old favorites like Basin Street Blues, Fidgety Feet and Sugar. Finally, Louis put down his horn and hit a few high Fs in the plain-talk department...

Author: /time Magazine | Title: Music: Satchmo Comes Back | 9/1/1947 | See Source »

...greatest jazzman of them all, Louis ("Satchmo") Armstrong, was back on Broadway. The word spread, the devotees gathered. But jazz purists who went prospecting for his golden trumpet notes had to pan out a lot of wet gravel...

Author: /time Magazine | Title: Music: Reverend Satchelmouth | 4/29/1946 | See Source »

...Satchmo arrived with one of the biggest (19 pieces), brassiest, and worst bands he ever had-a kind of unintentional satire on everything wrong with big bands: saxophonists who stood up and writhed as they played; a brass section with a nose for noise rather than an ear for melody. He opened last week at "The Aquarium," a gaudily mirrored Broadway seafood restaurant stampeded nightly by tourists and servicemen, who lined up three deep...

Author: /time Magazine | Title: Music: Reverend Satchelmouth | 4/29/1946 | See Source »

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