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Willie ("Bunk") Johnson is a 65-year-old steel-wool-haired Negro cornetist who was a New Orleans hit 30 years ago when the great Louis ("Satchmo") Armstrong was just a kid following him around, carrying his cornet, getting lessons from him. Bunk played in the sporting houses on Basin Street, in the saloons above Canal Street, and in the band wagons that rode around town with the slidehorns hanging out over the tailgate. He went barnstorming for as little as $5 a week and tips. Twelve years ago Bunk lost his teeth and gave up playing. A Pittsburgh jazz...

Author: /time Magazine | Title: Music: Jazz? Swing? It's Ragtime | 11/5/1945 | See Source »

...above is a rough condensation of what one Louis Armstrong now at the Southland with his band has done for jazz. "Satchmo'" has given jazz a colorful lexicography all its own, and even more important has exercised tremendous influence on the music itself...

Author: By Michael Levin, | Title: Swing | 4/14/1939 | See Source »

...music? I don't know what to say about it. I love it, I love to play it, and I love to hear it!" Such was Louis "Satchmo" Armstrong's eminently satisfactory comment on the Art of the Hour, Swing Music. The greatest trumpeter since that day at Jericho when "The people heard the sound of the trumpet and the wall fell down flat." (Joshua VI, 20). Louis Armstrong, whom Hugues Panassie, the author of "Le Jazz Hot", considers "not only a genius in his own art, but one of the most extraordinary creative geniuses that all music has over...

Author: NO WRITER ATTRIBUTED | Title: "Swing Music? I Love It" Declares Hot Trumpeter Armstrong, Now at Met | 3/2/1937 | See Source »

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