Word: satchmoed
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...theater? Mostly lights and tricks. Music? Mostly sappy-sentimental, and rap--a rhythmic fusion of grunts and hisses, minus the notes. Like Wagner, it's not as bad as it sounds, but one misses doo-wop, pop and jazz, especially jazz. Teddy Wilson, Billie Holiday, George Gershwin, Miles, Ella, Satchmo, Bix. I hope they have survived. It is, of course, possible that you long for Dr. Dre and Limp Bizkit the way I long for Cole Porter, but are you crazy...
...Sure, it's un-American not to back the underdog, but even the hardworking, muttily named Utah Jazz (did Satchmo summer in Salt Lake?), with its working-class Mailman and great white hopes, couldn't drag us away from Jordan's charm. For a spasm of a second last month, it seemed O.K. if Larry Bird's Pacers won the conference championship--there was mythological resonance to the protagonist's being felled by a warrior ghost--but by Game 7, we were right back in our proper seats behind Jordan. We wanted one more hit of Jordan's hyperintensity...
Pops. Sweet Papa Dip. Satchmo. He had perfect pitch and perfect rhythm. His improvised melodies and singing could be as lofty as a moon flight or as low-down as the blood drops of a street thug dying in the gutter. Like most of the great innovators in jazz, he was a small man. But the extent of his influence across jazz, across American music and around the world has such continuing stature that he is one of the few who can easily be mentioned with Stravinsky, Picasso and Joyce. His life was the embodiment of one who moves from...
What struck him most, as his memoir, Satchmo: My Life in New Orleans, attests, was the ceremonial vigor of the people. Ranging from almost European pale to jet black, the Negroes of New Orleans had many social clubs, parades and picnics. With rags, blues, snippets from opera, church music and whatever else, a wide breadth of rhythm and tune was created to accompany or stimulate every kind of human involvement. Before becoming an instrumentalist, Armstrong the child was either dancing for pennies or singing for his supper with a strolling quartet of other kids who wandered New Orleans freshening...
...single, featured horn, which soon became the convention. His combination of virtuosity, strength and passion was unprecedented. No one in Western music--not even Bach--has ever set the innovative pace on an instrument, then stood up to sing and converted the vocalists. Pops. Sweet Papa Dip. Satchmo...